MYSTICISM, MADNESS AND MANIA
AN EXPLORATION OF EXPERIENCES
OF GOD
AND
MENTAL ‘DISORDER’
BY
PILGRIM SIMON
(ROBERT LAYNTON)
CHAPTER EIGHT
MYSTICISM – PRINCIPLES OF INTERPRETATION
CONTENTS:
8.1 Mystics and the inner meaning of Scripture
8.2 Surface and depth
8.3 Orthodox hermeneutics
8.4 Light in an earthenware lamp
8.5 Analogies – explaining the unexplainable
8.6 Outward forms and inner meanings
8.7 An example: Understanding Abraham and Moses
8.8 Inward and outward are one
8.9 Trends in hermeneutics
8.10 Different styles of writing
8.11 Understanding different types of writing
8.12 Parables
8.13 Allegories
8.14 Symbols
8.15 Types
8.16 Some personal examples
8.17 Degrees of knowledge
8.19 Spiritual discrimination
8.20 Mystical awareness and rational awareness
8.21 Revelation and interpretation
8.22 Revelation and unveiling
8.23 The source of spiritual metaphor and analogy
8.24 Inherent or embedded meaning
8.25 Relative meaning and the Absolute
8.26 The limits of orthodox hermeneutics
8.27 Direction and impetus – the Spiritual Journey
8.28 Techniques of self-interpretation of personal imagery
8.29 Conclusions
8.30 Iconoclasm and Theomorphism
8.31 Relative forms, paradigms and world religions
8.32 Sacred literature
8.33 Deluded, mentally ‘ill’ or what?
Further reading
References
One feature of mystical experience is the return to the practical, rational/active mode of functioning, which is then applied to the Immediate intuitive/receptive experiences that the person has had. The mystic is not stuck in the non-rational, impractical intuitive/receptive mode but rather they seek to frame, co-ordinate and cohere their experience. Part of this process involves the interpretation of the symbolism, allegories and metaphors that have arisen in the experience.
What does sacred mystical writing mean to us? What is the meaning of a passage or verse of sacred, mystical or spiritual writing? What do we mean by meaning? Well, what I am asking is ‘What is it that is conveyed or signified by a verse or passage of mystical sacred writing? What is the sense or significance of a portion of such literature? What is the purpose underlying or intended by such accounts? What is the true interpretation, value, or message that such literature or a portion of such literature seeks to convey?
8.1 MYSTICS AND THE INNER MEANING OF SCRIPTURE
Those of a mystical persuasion often declare that the ‘Truth is within oneself’ or that the ‘Kingdom of heaven is within’ and they do so across all religious persuasions. The discoveries that they have made in their mystical experiences have led to emphasise inner meanings and this is so when it comes to their understanding and interpretation of their respective holy writings or Scriptures. Sometimes these inner mystical experiences have led them to spiritual insights that do not conform to the mainstream orthodox views of their respective religions – and so sometimes they have been accused of heresy or been obliged to live a more solitary existence as hermits and recluses. In looking at the issues of spiritual meaning I am going to draw my examples largely from the Christian tradition and the Bible, because that is the tradition that I know, and in addition from my own experiences, but the arguments apply equally well to other religious traditions.
In order to remain in the mainstream, many mystics have stretched the conventional understanding of their respective Scriptures and adopted novel understandings of particular texts in order to support or justify their own perspective yet stay within the orthodox mainstream. In order to accomplish this, mystics within a particular religious tradition very often emphasise that their Scriptures or sacred writings have both an outer/literal/objective meaning and in addition an inner/metaphorical/subjective/spiritual meaning. The objective/literal meaning refers to the external world, the world of objects, the physical world and the universe. The subjective/metaphorical meaning refers to a persons inner, phenomenological world – the realm of the heart, mind and emotions, the soul or core of a person, their aspirations, inner musings, perceptions and so on. Thus presented with the text: ‘Jesus opened a door’, the objective/literal meaning is just that – the man Jesus opened a physical door in order to enter/leave a room or building. The subjective/inner meaning may be that the spiritual Jesus opens the door of the human heart in order to enter or dwell within us, or that the spiritual Jesus opens the door of our perception such that we may more clearly perceive and understand spiritual reality. These differing interpretations mean that we have to look at hermeneutics – the principles and discipline of interpretation, of drawing out and understanding the meaning of texts, especially sacred texts.
8.2 SURFACE AND DEPTH
Are the mystics correct in assuming that each text has an inner meaning? Some of them may go as far as to say that the individual words, letters and numbers have hidden inner meanings. We can say right away that any text has a surface meaning and application. The surface meaning of a historical passage of Scripture is to document the facts of someone’s life or of some incident or series of incidents, such as battles or the reigns of kings and so on. The surface application may be as a simple record of perceived events or perhaps, if there are inconsistencies with known facts, then it may be seen as a form of national/government/priestly propaganda to idolise and vindicate themselves and/or vilify and demonise those in opposition. The surface function and meaning of such a passage is not to relate inner, subjective, spiritual dynamics. Other passages of Scripture may be passages of spiritual philosophy/theology. The surface function of such a passage is not to relate historical events but to state philosophical/theological propositions logically and formally, perhaps anticipating and answering objects to the points proposed. In approaching Scripture or sacred writing then, our first task is to determine what the surface application and meaning of a text or passage consists of. Is it:
Historical
Propaganda
Moral Law
Ceremonial directives
Poetry
Praise
Theology/philosophy
Allegory/Parable
A vision or dream
Genealogy
Biography
8.3 ORTHODOX HERMENEUTICS
In the past, there have been various approaches to understanding the meaning of Scripture, but one problem is that they have sometimes approached the whole of Scripture using just one method. Thus for example, there are the Allegorical Schools of Interpretation of Scripture. This method of interpretation emerged among the Hellenised Jews and Christians who were strongly influenced by Platonic philosophies. Clement of Alexandria and Origen are two early church fathers who viewed Scripture and particularly the Old Testament, as being symbolic rather than literal. The allegorical school teaches, like many mystics, that beneath each verse of Scripture (underlying the obvious surface meaning) is the “real” or deeper meaning of the passage or verse. In other words, each sentence or statement veils a deeper spiritual meaning. Prior to the Protestant Reformation in the 1500s, Biblical interpretation was often dominated by this allegorical method. Looking back to Augustine, the medieval church believed that every Biblical passage contained four levels of meaning. These four levels were the literal, the allegorical, the moral and the eschatological. For instance, the word ‘Jerusalem’ literally referred to the city itself; allegorically it referred to the church of Christ; morally it indicated the human soul; and eschatologically it pointed to the heavenly Jerusalem. Under this school of interpretation it was the church that established what the correct meaning of a passage was for all four levels. What this does, amongst other things, is to impose an allegorical interpretation on a non-allegorical passage or verse of Scripture. For Christian mystics such as the Dominican mystic Meister Eckhart, these modes of interpretation would have been the norm, so the idea of verses and words of Scripture having allegorical meanings involving a deeper meaning beneath the surface meaning of the text would have been quite usual and also quite useful, since any non-orthodox theology or slightly unusual interpretations of Scripture could have been justified on these allegorical grounds.
So, when it came to the interpretation of sacred literature or Scripture, there were four typical levels for any and every verse or passage:
Empirical/Historical
Tropological/Moral
Typographical/Symbolical/Figurative
Allegorical/Anagogical/Mystical.
Each of these methods of interpretation yields quite different and sometimes contradictory or paradoxical information. Some theorists also regard these four methods as reflecting different depths of spiritual development: the first two stages are common to primary religious teaching and are the stages expressed by most religious organizations in the west, such as Christian churches, for example. The third level is one for those venturing to greater depths in their understanding of religious forms and the fourth and last tends to be one expressed by and delighted in by those who have savoured an Immediate experience of the Divine – such as mystics and Gnostics. So let’s briefly look at each of these methods in more detail.
Empirical/Historical – Here the focus is on facts – both historical and empirical. In this approach, the events described in sacred literature may be declared as literal, factual and an accurate history. In this approach, the staff of Moses literally physically turned into a serpent. The Red Sea literally parted to allow safe passage for the Israelites whilst the Egyptians were physically drowned when the waters merged again. Jesus really did turn water into wine. The earth was created in six literal 24hr days less than 10,000 years ago. God literally flooded the entire earth with a deluge of water in a great flood from which only Noah and his family and the animals he gathered survived by means of the ark or boat that he built. The ideas and events of Scripture are presented as actual historical facts. This is the level of much of Christian/Islamic or other religious Fundamentalist thinking. However the same emphasis on empirical facts and history may be used to challenge this literal interpretation of Scripture – Textual analysis may cast doubt on the claimed authorship of documents; science may bring forth evidence to question the idea of a young earth and six day creation, or whether there was a world-wide flood e.t.c.
Tropological/Moral – Here the focus is on virtues – on right and wrong, good and evil, morals and ethics, especially in the light of Divine Law or Commands. If level 1 is concerned with ideas and beliefs, this level is concerned with behaviour and practice – ‘Be ye Holy for I am Holy says the Lord’. It may or may not be linked to the literal level above. When joined to the literal level, emphasis is placed upon God’s Law, the Ten Commandments e.t.c. as having a direct spiritual impetus upon moral behaviour. Others may reject literalism yet still value some or all of the moral codes presented in sacred writing and seek to follow these dictates as a means of service to the Divine or just as a good, constructive way to order society and relationships.
Typographical/Symbolical/Figurative – This is where something is seen as representing a correspondence between a spiritual pattern and a material counterpart. Thus a ‘type’ is seen as an actual historical event or person that has a specific spiritual parallel, such as Melchizadek being a type of Christ. The literalism of level 1 allows for the idea of types and figures though it tends to use them in a limited way. Thus the verses describing the Wise men bringing gifts to infant Jesus are taken both literally – wise men actually visited the stable where Jesus was born and gave gifts, but also, layered over this, a symbolism may be added such that the gift of gold indicates kingship, the gift of Frankincense indicates priesthood and the gift of Myrrh indicates sacrificial victim. In Christianity, these types and figures often point to Jesus, or the Church or the means of redemption. The literal approach is not undermined by this extra layering of meaning but enhanced by it. This type of interpretation is a little more advanced, requiring some systematic knowledge of the Scriptures, the theology and doctrines that they declare and the history and tradition of the faith.
Allegorical/Anagogical/Mystical – This is a symbolic interpretation in which characters and events are to be understood as representing other things, especially a deeper spiritual meaning. An allegory is a prolonged metaphor, when one thing is used to represent another, from a root word meaning ‘to stand between’. These are interpretations that are intended ‘to lead up’ to the Transcendent. They are interpretations related to God-as-Essence, to Eternal Truths and Divine Realities. They convey the spiritual sense of an outward form – be it a literally existing form or myth. For example in Christianity, the word ‘Jerusalem’ may be used as a symbol of Paradise. Or as another example, there is this by Meister Eckhart: ‘We read that the Lord entered the temple and drove out those who were buying and selling there…..This temple, in which God wants to hold sway according to His will, is the human soul’. Now this allegorical type of exegesis is not unlike Jesus’ use of parables. As we have seen, it ‘all but dispenses with elementary religious teachings (the first three levels) such that what is given by the formal religion in these levels is transmuted into an internally experienced reality for the Spirit that Transcends form. This approach may sometimes appear to give quite lateral and unorthodox interpretations; it may even appear to contradict orthodox literalism. As we shall see later, the insights that it may portray do not arise from logical reasoning or analysis of the sacred literature, but from an Immediate experience and Insight from the Divine Source or Essence. Thus Eckhart, though using Scriptural terminology and ideas will go well beyond Scripture content: ‘Masters of little subtlety say God is pure being. He is as high above pure being as the highest angel is above a midge.’ or ‘God and Godhead are as different as heaven and earth…God becomes and unbecomes…God works, the Godhead does no work: there is nothing for it to do, there is no activity in it. It never peeped at any work.’. It is because these insights arise from Immediate experience of the Divine and are recognised by those who have had such experiences, that this level tends to be the highest level of interpretation – but it is a level frowned upon by literalists who see no principles or rules of exposition and who therefore tend to see these interpretations as flights of fantasy and delusion.
8.4 LIGHT IN AN EARTHENWARE LAMP
Mysticism tends to take then an opposite stance to literalism. Religious movements that focus upon literalism, stand in an opposite position to mysticism when it comes to hermeneutics; that is to understanding meanings and interpretations. Mystics tend to focus on the Inner Light, not on the outward, literal form. For Gnostics and Sufis for example, characters such as Abraham, Nimrod, Moses, Pharaoh and Jesus are not focused on in a literal sense. In fact even the very mention of these names is seen as being a shackle to our thoughts in the sense that they have a tendency to make us give literal and historical interpretations. Rather, these names are like masks or veils that hide the Essence or Light of say Moses or Abraham which should, according to these mystics, be our real concern. For these interpreters, these names also refer to aspects of our own being, thus the enmity between Moses and Pharaoh reveals two adversaries within ourselves. The Light or Essence of Moses, or the Light of Jesus is passed down from generation to generation right down to the end of time:
The Light remains the same – it comes from the world beyond the world.
The lamp that emits the Light varies – it is an earthenware lamp and wick of this world.
The lamp (the person, the name) is an outer form and if we focus on the lamp rather than the Light, then this is seen as a major error that gives rise to duality. We are encouraged then to focus on and give attention to the Light Itself in order to obtain freedom from the plurality of this finite world. Focusing on the Light distinguishes the True Believer from those nominal believers who focus merely on the outward forms, or on a particular set of beliefs, theology and philosphy or on that aspect of the individual which does so. This adherence to religious forms, beliefs and aspects of the individual also acts as a mask or veil regarding Absolute.
8.5 ANALOGIES – EXPLAINING THE UNEXPLAINABLE
Everything that is spoken by the Mystic is anagogical or analogy: because the Light of God cannot be contained by the created universe, let alone in a lamp, yet it may be found there. In the same way the Light of God cannot be contained in the heart, yet when a person seeks God’s Light, they find it there. The heart does not contain the Light, but it radiates there, as when you look in a mirror and see an image of yourself: your image is not contained in the mirror – yet you look in the mirror and you see yourself. Thus the unintelligible becomes intelligible when expressed in analogy.
8.6 OUTWARD FORMS AND INNER MEANINGS
Characters such as Abraham, Moses, Pharaoh and Jesus have therefore an underlying meaning.
· If we focus on the outward form we see them as historical figures or aspects of ourselves.
· If we focus beyond the outward form, we will see the underlying meaning.
The way that this is done is by purging your self of yourself – purifying yourself of all the attributes of your self so that you see your own untarnished Essence and perceive in your heart the knowledge of the prophets immediately, without Scripture, teacher or master. Therefore, we seek to rid ourselves of our rational/active mode of being, of our ego-centred self with its beliefs, opinions, prejudices and identifications e.t.c., to see the True Self Essence.
8.7 AN EXAMPLE: UNDERSTANDING ABRAHAM AND MOSES
In outward form, Abraham moved to convert his people from polytheism to monotheism by destroying their idols. This angered Nimrod the ruler, who ordered Abraham to be thrown into a fire, but God intervened to save Abraham. Using these outward forms, Abraham and his actions appear to be a significant event in establishing monotheism.
But let us consider the mystical inward meaning. In those days, polytheism meant any thing or being that had an independent existence outside of Divine Unity. Any such independently existing being or object was considered to be an idol. In this sense, even a mental image of God has the potential to become an idol. Thus a mental image may be reified to independent, objective existence quite apart from Divine Unity. Here lies a paradox. When the mirror of the heart becomes clear, you will behold images beyond the material world: you will behold the image and the Image Maker. These images, symbols, allegories, pictures, teachings of God are like Abraham: outwardly an idol, inwardly an idol breaker. Abraham, who broke idols every year was by day and night an idol-maker in God’s House. Every idol that Abraham broke received life from that breaking.
8.8 INWARD AND OUTWARD ARE ONE
As can be seen from this kind of interpretation, outward events: Abraham destroying idols or being cast into a fire – are transposed to inward realities. They are turned from literal events into internal aspects of our selves which must ultimately be transcended, sacrificed, abandoned in order to attain liberation to the True Essence. This idea is also picked up by Reza Shah-Kazemi in his focus on Christian mystic Meister Eckhart, who, according to Shah-Kazemi ‘all but dispenses with elementary religious teachings – what is given by the formal religion is transmuted into an internally experienced reality for the supra-formal spirit’ (for the Spirit that Transcends form.). (Paths to transcendence. 2006. p.131, World Wisdom)
Thus mystics may talk about Jesus being born in us:
We each have a Jesus within us
But until, like Mary, we feel the birth-pains within us
Our Jesus will not be born.
or say things like:
Come, O soul! You are Moses
Your bodily form is your staff:
Grasp hold of me, I am a staff
Throw me down I am a serpent.
In these cases, characters like Moses, Abraham and Jesus personify our Higher or True Self and characters like Pharaoh and Nimrod our lower, ‘ego’-self and material self, which may also be compared to old rags or old clothes which are to be cast off.
Or consider this by Meister Eckhart:
“Luke 10:38. ‘Jesus…came to a village where a woman named Martha opened her home to him.’ Now then, pay close attention to this word: it was necessary that it be a virgin by whom Jesus was received. “Virgin” designates a human being who is devoid of all foreign images and who is as void as he was when he was not yet.”
8.9 TRENDS IN HERMENEUTICS
With the Protestant Reformation in Europe in the 16th and 17th centuries, the analogical/mystical level came to be frowned upon, (probably because as we have seen, it is at an opposite end to a literal/historical view). The emergence of the protestant Reformation and later, the Age of Reason, meant that such interpretations were downgraded or even dismissed. The neo orthodox leaders of the Reformation saw that their new orthodoxy was under threat by giving credence to such alternative theologies and interpretations, and thus encouraged a more ‘objective’ or ‘literal’ interpretation. The emerging emphasis on logic, reason, science and objectivity meant that such internal interpretations began to be seen as just fancies and fantasies and there did not appear to be any principles to help discern a correct method of approach. Because the allegorical approach may contradict the literal orthodox one it presented a threat to the new Protestant orthodoxy: it was an alternative authority in its emphasis on personal experience of the Divine to that of the Reformers key rallying call of ‘Sola Scriptura’ – Scripture alone – as a rule of faith and conduct. Thus in the modern Protestant tradition, this form of interpretation often seems quite foreign. After the flowering of the European mystics in the 13th and 14th centuries, the Reformation by enlarge seemed to suppress this mystical tendency, though exceptions such as the Quakers, prove the rule.
At the time of the Reformation, knowledge of the Bible was scarce. However, with a new emphasis on the original languages of Hebrew and Greek, the fourfold method of interpretation began to fade. It was rejected by all of the Protestant Reformers in favour of the more literal approach. Luther called the allegorical method a ‘scourge’ and Calvin called it ‘Satanic’. Those holding to the principles of the Reformation generally regard the allegorical method of interpretation as undermining the power and impact of the literal Word of God. This is not to say that the Reformers rejected all allegorical interpretations, but rather that they argued instead that allegorical or symbolic passages were contained in clearly defined contexts, such as the Book of Revelation. Martin Luther argued that the church shouldn’t determine what the Scriptures mean, but that rather, the Scriptures should govern what the churches teach. Luther further argued that a proper understanding of what a passage of Scripture teaches comes from a literal interpretation. This means that the reader must consider the historical context and the grammatical structure of each passage and strive to maintain contextual consistency. This method was a result of Luther’s belief that the Scriptures are clear, a view in direct opposition to the medieval church’s position that they are so obscure that only the church can uncover their true meaning. Calvin agreed in principle with Luther. He also placed great importance on the notion that ‘Scripture interprets Scripture,’ stressing that the grammar, context, words and parallel passages found in the text were more important than any meaning we might impose on them. He added that, ‘it is the first business of an interpreter to let the author say what he does say, instead of attributing to him what we think he ought to say’.
However, even the most ardent literalists recognise that there is often an underlying meaning beneath the surface. I have already suggested this in our understanding of a historical section of Scripture: inconsistencies with known facts may reveal that the passage is not literal history at all but a propagandised version of it. Similarly, in the Old Testament, we have passages of elaborate instructions concerning ceremonies, rituals and sacrifices to be made by the Israelites. They cover what the priests should wear, how people should approach the ceremony, how the tabernacle is laid out, what sacrifices should be brought, what time of the year they should be performed, how often they should be performed and so on. This is their surface meaning – if the person is to bring a dove for sacrifice twice a year, then they bring a dove for sacrifice twice a year as prescribed. But even the literal, neo-orthodox reformers recognised that there is another underlying application – namely that these ceremonies point to aspects of the person and work of Jesus Christ in the atonement – such that these ceremonies are shadows of a deeper reality. These ceremonies are what are known as types or figures. In the same way, as we have seen, Melchizadek is regarded as a type of Christ – someone who prefigures and reveals aspects of the person and work of Christ. So, even within orthodox circles there is a principle that allows for a pointing to a deeper underlying reality beneath the surface shadows. Thus, even in an historical account of battles and confrontations, there may be a pointing to a deeper, underlying spiritual reality beneath these outward events. The encounter of Moses and Pharaoh in the deliverance of the Israelites from Egypt is a good example. These events point to the deliverance of God’s chosen people, the elect, by the power of God and declare aspects of the plan and act of redemption. Thus we find a surface application and meaning of historical events at a literal level and at the same time, a pointing to underlying deeper spiritual realities. We will return to this theme in a moment.
8.10 DIFFERENT TYPES OF WRITING
The ‘literal’ approach then, recognises not only historical or biographical passages in holy writing, but also styles and approaches that are more lateral or abstract – such as the Book of Revelation. Within Scripture there are biographies, passages of praise and worship, historical passages and sections of doctrinal teaching. Scriptures also for various reasons, make use of more lateral teaching and illustrative approaches. But what this approach of interpretation has done is to remove the insistence that every verse or word has an allegorical, symbolic or figurative meaning. The four levels are still there – but they are not imposed on every verse or sentence. When we come across the statement like ‘Jesus opened a door’ we are no longer required to impose some inner, deeper, spiritual meaning on this statement. We can accept it solely on its surface meaning: the man Jesus opened a physical door in order to enter/leave a room/building. This statement does not require a moral interpretation, a symbolical one or an allegorical one. It is understood as a statement of plain fact and nothing more.
Nevertheless, there are sections of sacred writing that are indeed moral, or symbolic/figurative, or allegorical or combinations of these. With regard to the Bible, these more lateral or abstract passages can be defined as follows:
PARABLE A parable is a short story drawn from ordinary life in order to illustrate important teaching. Each parable illustrates aspects of God and God’s dealings and are more direct than allegories.
METAPHOR A metaphor is an implicit comparison. It is the application of a word or phrase to something or someone that is not meant to be taken literally, but which is rather used to make a comparison. For instance: ‘Winston Churchill is like a bulldog’. It involves the use of figurative language that involves symbolism which does not literally represent real things. A metaphor may stand between that which is known and that which is unknown.
ALLEGORY An allegory is a series of metaphors where each metaphor adds an element to form a composite picture of the message. It compares two distinct entities and involves a story or extended narrative developing figurative expressions. This narrative may express abstract ideas as concrete symbols. It is a symbolic work in which characters and events are to be understood as representing other things, especially having a deeper spiritual, moral or political meaning. It is a prolonged or extended metaphor, when one thing is used to represent another, from a root word meaning ‘to stand between’. The narrative of the allegory may be made up of fantasy figures, characters and animals. A good example of a literary and religious allegory is John Bunyan’s ‘Pilgrims Progress’.
SYMBOL A symbol is something that has a meaning apart from and in addition to its normal semantic field, going beyond it to stand for an abstract or spiritual concept. Thus ‘fire’ may symbolise ‘Judgment’. Symbolism does appear to be used extensively in mystical encounters, its meaning and hence it’s interpretation being partly determined by culture and partly determined by the meanings for the individual mystic concerned.
FIGURES At times Scriptures use figures of speech, poetic forms of speech like hyperbole to get a point across, whereas the literal interpretation would not be what the author intended: Matthew 5:29 “If your right eye causes you to sin, pluck it out and cast it from you.”
TYPE A Type is something or someone that represents a correspondence or pattern between itself as a material object and a spiritual counterpart, especially of something that lies in the future. Thus a type is an actual historical event or person that has a specific parallel: such as Melchizadek being a type of the person of Jesus Christ.
8.11 UNDERSTANDING DIFFERENT TYPES OF WRITING
What we can say is that the style of interpretation introduced at the time of reformation is more differentiated in its approach to Scripture passages, recognising that these different styles exist within holy writing and that we do not use the same approach and methods for understanding different types or styles of writing. We do not use the same approach for a historical section as we do for a symbolic, allegorical section. Different rules and principles apply to different styles.
In brief, these different approaches and principles include:
8. 12 PARABLES
A Parable is a narrative that is constructed for the sake of conveying important truth. It is inherently figurative language that draws an illustration from life to teach spiritual truth. There are many disagreements regarding the correct method for interpreting parables. However, the main principles seem to be:
1) In parables, spiritual ideas are recounted in earthly actions or events that were well known to most people
2) Parables always contain spiritual lessons.
3) There is always an analogy between the spiritual lessons and the earthly illustration.
4) Both the spiritual lesson and its illustration should be correctly interpreted.
5) Parables are not allegories. In an allegory, the author controls every detail and the author can give a symbolic meaning to every detail. But a parable is a story from daily living: the author does not invent this story and does not invent all the details. Therefore, the details are often not important. Rather the parable has one or two main ideas and contains one or two main truths, not many truths. So, in every parable we should seek for these one or two main truths.
6) When interpreting parables it is important to consider the prerequisites or context – the event and the application. Prerequisites are the circumstances in which the parable was told. Sometimes parables are preceded by the problems or an event that Jesus talks about in His parable. Parables are often followed by an explanation by Jesus to the disciples of the way that the parable should be applied. So the interpreter needs to try to find the explanation given by Jesus.
7) When interpreting parables it is important to consider the place and time of their origin.
8) Often Biblical culture (symbols, daily life, and so on) gives a key to understanding parables.
9) The interpreter should compare the teaching that they find in the parable with the full context of Scripture. This principle is important because parables can and are often used for the twisting the meanings of the Bible, like that which takes place in abusive churches and cults. Their leaders use their own interpretations of parables in order to make the Bible say what they want it to.
10) Note the literary setting of the parable in the gospel. This can provide clues to the overall interpretation of the parable, especially its mood and affective force.
11) Note the wording, structure, general progression, plot progress and suspense. Remember these are stories and need to be read as such. In this connection it is helpful to note any changes in the same parable in another gospel.
12) Read the parables in their original historical situation first. Nothing should be read out of them that are not consistent with the customs, etc. employed in them and certainly no later reading of theology or church experience should be read into them. In other words, no global or particular interpretation should be given any consideration that would not have been understandable to those to whom these parables were first addressed by Jesus or later communicated by the evangelists. In this way we preserve the distinction between authorial intent (author’s intended meaning) and significance (meaning to me).
13) Note the main characters/things in the parable and any parallels and or contrasts between them. The main characters are often clues as to the main points being asserted.
14) Recognize that there are two audiences being addressed by the parables. There is first the audience to whom Jesus originally spoke, e.g., the Scribes and Pharisees or crowds; and then also the disciples and the audience of the early church to whom the evangelists addressed their writings. A different audience signifies slightly different functions for the parables and thus little different emphasis in interpretation.
15) Note carefully what occurs at the end of a parable as a (the) clue to the meaning of the parable. This is called the rule of “end stress.”
16) Seek to place the teaching of the parable in the overall ministry of Jesus and his teaching as a whole. In this way, it will be seen that most of his parables deal with the kingdom of God, either its inauguration or consummation, and discipleship within the present phase of the kingdom in expectation of the consummation.
Context & Setting of parables
Jesus told parables to be understood and he told them to ordinary people (Luke 15:3, 18:9, 19:11). The telling of parables are historical events but it is unlikely that the content of the parable was historical. However, this does not mean they are irrelevant or that the truth and message they communicate is unreliable. The points of reference or points of comparison of a parable are usually indicated by the historical setting and situation and by the literary context. The original audience would have immediately understood the points of comparison when Jesus spoke them; therefore the interpreter needs to hear the parable as the original audience heard it. The original audience and their customs and culture needs to be studied in order to grasp how they would have heard understood and reacted to a particular parable. The interpreter needs to understand what the various people, places and objects meant and the significance they had to the audience. For example, most people are not aware of the dangers of putting new wine into old wineskins or the dangers of traveling the Jericho road. The interpreter must also be aware of any Old Testament allusions in parables (e.g. Mark 12:1-12 and Isaiah 5). Part of the difficulty in interpreting parables is because our modern western society is so far removed in time and culture from the original audience. The historical distance is not only chronological but also social, political and religious. Parables always occur as part of a larger context; therefore they need to be interpreted within this larger literary context and with respect to other parables and other sayings and events. This is particularly true of the parables of Jesus, which must be interpreted in relation to his proclamation of the Kingdom of God. It should also be noted that no single parable contains the entire gospel.
The Meaning of Parables
Historically, most Christians have interpreted parables as allegories but modern scholarship has rejected this practice because it ignores the realism, clarity and simplicity of parables. Although parables do have some allegorical elements, these are the exceptions not the general rule. These allegorical elements are called the points of reference or points of comparison. Some parables come very close to being allegories because most of the details in the story are intended to represent something or someone else (i.e. they have many points of comparison). However even these parables are not allegories because of the function they perform. The parable in Luke 7:40-48 for example is not allegorical although it appears that way:
‘Jesus answered him, “Simon, I have something to tell you.”
“Tell me, teacher,” he said.
“Two men owed money to a certain moneylender. One owed him five hundred denarii, and the other fifty. Neither of them had the money to pay him back, so he cancelled the debts of both. Now which of them will love him more?”
Simon replied, “I suppose the one who had the bigger debt cancelled.”
“You have judged correctly,” Jesus said.
Then he turned toward the woman and said to Simon, “Do you see this woman? I came into your house. You did not give me any water for my feet, but she wet my feet with her tears and wiped them with her hair. You did not give me a kiss, but this woman, from the time I entered, has not stopped kissing my feet. You did not put oil on my head, but she has poured perfume on my feet. Therefore, I tell you, her many sins have been forgiven—for she loved much. But he who has been forgiven little loves little.”
Then Jesus said to her, “Your sins are forgiven.”
The purpose of the story is not found in the points of comparison but in the intended response (of Simon and the woman). The details of a parable must be interpreted with strict reference to the points of comparison so the focus remains on the central meaning of the parable. Sometimes none of the details are important and do not need interpreting (e.g. The Good Samaritan); sometimes a few of the details are significant (e.g. Parable of the Tenants) and sometimes all the details are important. The interpreter must also be sensitive to the shape and form of parable. The assumption of 1 single point per parable is not always true: some parables are simple and some are complex. Simple parables will just have one central message but complex ones may have a central message and several related messages. For example, the Prodigal Son teaches that God accepts repentant sinners and also that God wants faithful people to accept repentant sinners. In fact the majority of parables make exactly 3 points.
A parable may also have multiple shades of meaning depending on the perspective of the hearer. When Jesus told the parable in Luke 7:40-48, the messages received by Simon and the woman would have been very different. Simon received a message of rebuke but the woman a message of acceptance and forgiveness. Also, Jesus told some parables (with modifications) on different occasions to different audiences in order to provoke a different response (e.g. Parable of 10 minas – Luke 19:10-26 and Parable of 10 talents – Matthew 25:14-28).
Understand the Details
For the Reformers, when it came to a parable, every detail was not necessarily significant. The details of a parable were often seen as just adding colour to the story: they are not the point of the story. However, having recognized the importance of the central point or points, the next thing was to understand the various details of the parable. The parabolic method is not expository but topical and parables must be treated in that fashion. The topical method looks first of all to find the central thought which the parable was designed to embody and it treats every detail with reference to its bearing upon this thought.The expositor must proceed on the presumption that there is import in every single point and only desist from seeking it when either it does not result without forcing, or when we can clearly show that this or that circumstance was merely added for the sake of giving intuitiveness to the narrative.It will much help us in the matter of determining what is essential and what is not, if, before we attempt to explain the parts we obtain a firm grasp of the central truth which the parable would set forth and distinguish it in the mind as sharply and accurately as we can from all cognate truths which border upon it; for only seen from that middle point will the different parts appear in their true light. The details are included for a purpose, either they have a definite role in the interpretation or they simply belong to the story as a true transcript of life.The difficulty and consequent diversity of interpretation of a given parable are for the most part the result of mistaken attempts to make the details of the parable mean something definite.
Augustine is a notable example of one who endeavoured to interpret parables on all the four levels that we saw earlier. One illustration is sufficient to see his method. It is the parable of the Great Supper (Luke. 14:16-24):
Jesus replied: “A certain man was preparing a great banquet and invited many guests. At the time of the banquet he sent his servant to tell those who had been invited, ‘Come, for everything is now ready.’
“But they all alike began to make excuses. The first said, ‘I have just bought a field, and I must go and see it. Please excuse me.’
“Another said, ‘I have just bought five yoke of oxen, and I’m on my way to try them out. Please excuse me.’
“Still another said, ‘I just got married, so I can’t come.’
“The servant came back and reported this to his master. Then the owner of the house became angry and ordered his servant, ‘Go out quickly into the streets and alleys of the town and bring in the poor, the crippled, the blind and the lame.’
” ‘Sir,’ the servant said, ‘what you ordered has been done, but there is still room.’
“Then the master told his servant, ‘Go out to the roads and country lanes and make them come in, so that my house will be full. I tell you, not one of those men who were invited will get a taste of my banquet.’ “
Augustine interprets the five yoke of oxen to be the five senses: seeing, hearing, smelling, tasting, and touching. They are in pairs: two eyes, two ears, two nostrils, the tongue and the palate and the inner and outer touch. These senses are double: the eyes see light and darkness, the ears hear harsh and musical sounds, the nose smells sweet and offensive odours, the mouth tastes bitter and sweet and the touch feels smooth and rough.
Against this view is Chrysostom. He taught that parables had only one central meaning and they were not to be allegorised. He writes, “And, as I am always saying, the parables must not be explained throughout word for word, since many absurdities will follow.”Thus, in the history of interpretations there have been these two extremes. It caused Trench to write: There are those who expect to trace only the most general correspondence between the sign and the thing signified; while others aim at running out the interpretation into the minutest detail; with those who occupy every intermediate stage between the two extremes.
Often it is difficult to determine which is to be interpreted and which is not. Christ gave the interpretation of the parable of the Tares (Matt. 13:24-30, 37-43):
Jesus told them another parable: “The kingdom of heaven is like a man who sowed good seed in his field. But while everyone was sleeping, his enemy came and sowed weeds among the wheat, and went away. When the wheat sprouted and formed heads, then the weeds also appeared.
“The owner’s servants came to him and said, ‘Sir, didn’t you sow good seed in your field? Where then did the weeds come from?’
” ‘An enemy did this,’ he replied.
”The servants asked him, ‘Do you want us to go and pull them up?’
” ‘No,’ he answered, ‘because while you are pulling the weeds, you may root up the wheat with them. Let both grow together until the harvest. At that time I will tell the harvesters: First collect the weeds and tie them in bundles to be burned; then gather the wheat and bring it into my barn.’ “
and Christ’s interpretation may be of help at this point…
He answered, “The one who sowed the good seed is the Son of Man. The field is the world, and the good seed stands for the sons of the kingdom. The weeds are the sons of the evil one, and the enemy who sows them is the devil. The harvest is the end of the age, and the harvesters are angels. As the weeds are pulled up and burned in the fire, so it will be at the end of the age. The Son of Man will send out his angels, and they will weed out of his kingdom everything that causes sin and all who do evil. They will throw them into the fiery furnace, where there will be weeping and gnashing of teeth. Then the righteous will shine like the sun in the kingdom of their Father. He who has ears, let him hear.
Note that Christ interpreted for the disciples the meaning of the tares, the Sower, the field, the good seed, the enemy, the harvest, the reapers; but, at the same time He does not interpret the meaning of the men who slept, the meaning of sleep, the springing up of the wheat, the yielding of fruit, or the servants. After dealing with the parables of the Sower and the Tares, one writer concludes: From the above examples we may derive the general principles which are to be observed in the interpretation of parables. No specific rules can be formed that will apply to every case and show what parts of a parable are designed to be significant and what parts are mere drapery and form. Sound sense and delicate discrimination are to be cultivated and matured by a protracted study of all the parables and by careful collation and comparison.Thus it is observed that the parts of the parable often play an important role in interpretation, but on the other hand they may be given just to streamline the story. The interpreter must determine the importance of every part.
Example 1. Jesus told the short parable of the two debtors to Simon the Pharisee (Luke 7:36-47 quoted earlier) to open his eyes and to help him see things differently. In Simon’s eyes, he is the lesser debtor to God and the immoral woman the greater. Yet Jesus shows Simon, with a piercing parable, that Simon therefore has the lesser love for God! Now Simon would have missed the point of that parable entirely, had he wondered about the significance of why the amounts of money owed by the debtors are divisible by five, or whether there was any hidden meaning in the fact that the higher debt was exactly ten times the lesser debt.
Example 2. Likewise, the parable of the pearl of great price (Matthew 13:45-46): “Again, the kingdom of heaven is like a merchant looking for fine pearls. When he found one of great value, he went away and sold everything he had and bought it.
This parable makes a point about the value of the kingdom of God compared to earthly wealth. The pearl stands for the kingdom of heaven and all the merchant’s possessions —which he sold to gain the pearl— represent earthly wealth. The point of this parable is that gaining the kingdom of heaven is worth sacrificing any amount of worldly possessions should that be necessary. We would be distracted from that point if we tried to find some significance in the fact that the merchant sought fine pearls rather than fine rubies or fine diamonds.
Problems and difficulties
In brief, a few dangers in interpretation should be mentioned. The parables contain much that is doctrinal and these doctrinal teachings are not to be taken lightly. Parables do teach doctrine and the claim that they may not be used at all in doctrinal writing is improper. But in gleaning our doctrine from the parables the interpreter must be strict in their interpretation: they must check their results with the plain, evident teaching of Jesus and with the rest of the New Testament.Parables should not be considered primary sources of doctrine: rather, doctrine may be illustrated and confirmed by parables, but the interpreter must be careful to check the interpretation with the whole body of Scripture. As a further warning, it is needful to be aware that parables are comparisons and illustrations. Every comparison must halt somewhere. The interpreter is to use the parable as an illustration and they must be careful not to interpret it further than the intent of Jesus.
8.13 ALLEGORIES
Many mystical accounts and journals are recorded in allegorical form and allegory is present in Scripture and sacred writings also. Spiritual themes cannot be properly described because of the limitations of human language. Mystical or spiritual allegories are teaching stories that divulge transcendent knowledge to initiates (advanced students). Mystical teachers use allegories to divulge knowledge in a specialized manner: meanings, information, concepts and inter-relationships are adumbrated, intimated, or foreshadowed in communications that require the recipient (student, reader, viewer, hearer) to decipher and grasp the knowledge relative to their intellectual and spiritual capabilities. Recipients who are merely aware that there is a higher level of being revealed by mystical allegories can learn a limited amount from them. Mystical savants who experience this higher level of being are able to create mystical allegories and teach the use of such allegorical stories. The recipient must first of all allow the working hypothesis that there may be a higher level of being that is operative in mystical allegories and the writings should be approached from the point of view that they may be documents created by persons with higher ‘technical’ knowledge: an ancient yet still irreplaceable method of arranging and transmitting a knowledge which cannot be conveyed in any other way. The mystical tradition possesses a disciplined approach for helping people develop higher states of consciousness: mystical books, essays and allegories contain carefully designed elements that act on the recipient’s psyche (personality and mind) to produce precisely designated effects. The prescribed results differ according to the capabilities of the various recipients and with a single reader who returns to the material over a period of time. Modern scholastic predispositions lead us to look at a book, essay or allegory as a simple collection of words expressing ideas and it is difficult for us to conceive of a genuine science contained in books and teachings that would be capable of producing evolutionary transformations in human beings. We find it easy to acknowledge that technical knowledge can be conveyed through a mathematical formula or a scientific textbook, but we are not so aware that mystical books, essays and allegories possess an equally ‘technical’ meaning and power. As with a mathematical formula or a scientific textbook, such elements can only be understood by a person who has taken the time and effort to study the underlying knowledge—as for example, physics.
So, having used the general approach to identify a book, or a section or passage of Scripture or mystical writing as being allegorical, then, the literal approach and method to understanding it is then no longer applicable. So how then do we approach an allegorical section of sacred writing?
Simply put, an allegory is a fiction, almost invariably a story, which is designed first and foremost to illustrate a coherent doctrine that exists outside of the fiction. Thus, the story and everything in it bear an immediate and point-by-point reference to a very specific aspect of the controlling doctrine that the fiction is illustrating. In that sense, allegories tend to be what we might call ‘philosophical’ fictions: a term which means that they are to a large extent shaped and controlled by ideas or by a system of ideas which exists independently of the allegorical text and to which they point to or refer. This should be easy enough to understand, because in one way or another most of us are thoroughly familiar with allegories – fictions which exist primarily to illustrate ideas rather than to explore them independently. There are many films in which good heroes are pitted against nasty villains (e.g., traditional westerns, James Bond) and these films operate within a fairly obvious and popular framework of belief. Even many sporting events present themselves in an allegorical context, especially ‘sports entertainment’ genres such as wrestling. Allegories tend to be very popular because they are the simplest way to appeal to and to confirm the belief system of the audience: we like to see the good people win out and the bad ones get punished, often expressed in a very simple way, because that confirms the belief system we bring to the world (or which we would like to bring to the world), namely that good triumphs over evil. Often allegories are the least complicated and most pleasing ways to remind people of a particular belief system. Hence allegories have always been an important way of educating people from childhood onwards, because they present important doctrinal or abstract ideas in the form of a pleasing fiction. A large part of the popularity of John Bunyan’s Pilgrim’s Progress arises from the fact that it was the essential text in the raising of many Christian Protestant children within the home (in the days before Walt Disney).
Allegories need to be distinguished from symbolic stories however. Both allegorical structures and symbolic structures derive their full meaning from something beyond the literal meaning of the word, event, image, or character in the fiction. That is, they both point to a range of meanings beyond themselves. The major difference is that in allegories the reference point is clear and relatively unambiguous, whereas, with symbols the range of meaning is more ambiguous and uncertain. For example, money in Chaucer’s General Prologue or disease in Hamlet clearly exerts a recurring symbolic influence throughout these works. But what they refer to is not immediately explicit or obvious and as readers we need to interpret, argue about and come to some consensus (if possible) about the range of possible meanings. By contrast, in The Pilgrim’s Progress something like Christian’s scrap of paper or the Slough of Despond refer explicitly to some important aspect of the overarching doctrine which is controlling the shape of the fiction and which every detail of the fiction is designed to illustrate. About such references there is no ambiguity and therefore there is no need for argument about any supposed range of possible interpretative possibilities.
This point is particularly clear if we compare the characterization in Chaucer and Shakespeare with the characterization in Bunyan. The characters in the earlier two works are clearly (for the most part) complex, ambiguous and arguable. There may be some (like the Knight and the Parson) who are ideal characters and serve to point to a clear Christian standard, but for the most part we cannot simply define the characters in these works according to a simple and given frame of reference. In Bunyan however the situation is quite the reverse: the characters in the work almost all serve exclusively to present unambiguously a certain principle in the doctrine; we do not have to argue about the significance of people like Ignorance, Talkative, Lord Hategood, Obstinate, Pliable and so on. In a sense they are not characters; they are not even character types; they are the personifications of very explicit characteristics introduced into the fiction in order to illustrate a clear point. Their very names make this tendency obvious to the reader. In a sense, there is only one character in this story, Christian himself and the development of his spiritual understanding depends upon his ability to see the world in very simple terms.
In between clearly allegorical meaning and more ambiguous symbolic meaning stands the category of literary reference that we have already looked at, called a parable. In a parable, we seem to be working clearly within an allegorical framework in the sense that a very simple meaning seems to be indicated, but sometimes the simple meaning turns out to be not so immediately obvious to figure out.
Allegory: A literary view
If allegory is always illuminating a particular doctrine which exists outside the work such that the allegorical work is shaped by that doctrine, two questions at once arise:
1) Do I need to know the doctrine in order to understand the fiction?
2) What is the purpose of the allegory if the meaning is already worked out elsewhere?
The answer to the first question, concerning what background understanding might be necessary for understanding the allegory will depend upon the nature of the allegory. Some, like Pilgrim’s Progress will contain within themselves a sufficient explanation of the doctrine so that one understands why the fiction takes on the shape it does. That is, the allegory may serve both as an illustration of the doctrine and also, in places, as an exposition of the doctrine (as in the long conversations between Christian and Hopeful). Other allegories may not provide the exposition and may therefore require some familiarity with the shaping ideas in order for the reader to understand why the fiction has taken on the shape it has. For example, in the very simplest dramatic allegory – the fight between the good angel and the evil angel for the soul of Everyman as he contemplates the parade of the tempting seven deadly sins in front of him – if one has no immediate knowledge of angels or of the Christian doctrine of temptation, sin and damnation, then the entire story may seem somewhat puzzling; just as a person who has no knowledge whatsoever of North American history may find some old Western films set in a firmly allegorical framework rather odd in the ideas that they present.
The answer to second question, concerning the purpose of allegory, should be clear enough. The purpose of the allegory is first and foremost to entertain, to engage the imagination of the reader so that the pleasure which arises from dealing with fictions can be put in the service of a particular belief system. This is an especially important function if the aim of the writer is to convert people to the belief system. Allegories provide a very powerful alternative to other forms of persuasion (like rational arguments or sermons), because fictional stories have a way of engaging people’s attentions more forcefully than other means of persuasion. For that reason, most belief systems (religious and otherwise) rely a great deal on allegorical fictions in order to persuade people of truths that would be too complex or arid to present in the form of rational arguments or sermons.
Interpreting Allegorical Fictions
Interpreting allegorical fiction presents for the literary critic a tempting danger however. Since the fiction is so clearly and closely controlled by the external doctrine, there’s a natural temptation to devote one’s time as an interpreter to discussing the doctrine (the controlling ideas). This can be a major mistake, because it takes one’s attention away from the text under scrutiny and directs it elsewhere. For the literary critic, what matters in an allegorical fiction is not (repeat not) the adequacy, coherence, or consistency of the doctrine which is being illustrated (important as that may be for other forms of enquiry). What is of central importance is how the literary text deals with the belief system, how it brings it alive (or fails to bring it alive), how it succeeds as a literary work (that is, using the resources of literature) to create a particular vision.
For the interpreter, we find that through the centuries those who have sought to interpret the parables have not always seen the difference between an allegory and a parable clearly. An allegory, like a parable, is a story told in order to make a comparison. In an allegory every detail of the story has some kind of meaning. The apostle Paul used an allegory of two women, Hagar and Sarah, to contrast the Old and New Covenants (Galatians. 4:24-31):
These things may be taken figuratively, for the women represent two covenants. One covenant is from Mount Sinai and bears children who are to be slaves: This is Hagar. Now Hagar stands for Mount Sinai in Arabia and corresponds to the present city of Jerusalem, because she is in slavery with her children. But the Jerusalem that is above is free, and she is our mother. For it is written:
“Be glad, O barren woman,
who bears no children;
break forth and cry aloud,
you who have no labour pains;
because more are the children of the desolate woman
than of her who has a husband.”
Now you, brothers, like Isaac, are children of promise. At that time the son born in the ordinary way persecuted the son born by the power of the Spirit. It is the same now. But what does the Scripture say? “Get rid of the slave woman and her son, for the slave woman’s son will never share in the inheritance with the free woman’s son.” Therefore, brothers, we are not children of the slave woman, but of the free woman.
In this allegory Paul explained that Hagar represents Mount Sinai or the Old Covenant while Sarah represents the spiritual Jerusalem or the New Covenant. Every detail in this allegory corresponds to something.
The following interpretive principles can we draw from the Biblical example of allegory given by the Apostle Paul in Galatians:
1. Allegory is a bona-fide figure of speech used in sacred writing.
2. It employs comparison and correspondence of words and ideas.
3. It is illustrative and explanatory of a specific line of truth.
4. It cannot be divorced from its local context or the historical narrative from
which it is drawn.
5. It is comprised of a number of metaphorical expressions in which the
meaning of one word is invested in another, e.g. Hagar is Mt. Sinai,
that is, she represents the Law of Moses.
6. None of the figurative expressions are so obscure as to leave us guessing as
to their import.
7. We can expect to learn something from their use that will be of profit—
applicable to life.
8. We would be wise not to assume that such hidden meanings are latent in
every place in the Bible or sacred literature.
Differences between allegories and parables
Lets remind ourselves of the differences between parables and allegories:
1. Parables are enlarged comparisons. Allegories are enlarged metaphors.
2. In parables, the narrative and the interpretation are separated. In allegories, they are mixed.
3. Parables have one or two main thoughts; the details are valuable only if they are related to these main ideas. Allegories have many comparisons and they are not always related to the main idea. So, all the details in allegories are important.
4. Characters of parables are real. Characters of allegories may be mythical or fantastic.
If the Bible contains an allegory, its interpretation is usually given in the text, for example, Ephesians 6:10-17:
Finally, be strong in the Lord and in his mighty power. Put on the full armour of God so that you can take your stand against the devil’s schemes. For our struggle is not against flesh and blood, but against the rulers, against the authorities, against the powers of this dark world and against the spiritual forces of evil in the heavenly realms. Therefore put on the full armour of God, so that when the day of evil comes, you may be able to stand your ground, and after you have done everything, to stand. Stand firm then, with the belt of truth buckled around your waist, with the breastplate of righteousness in place, and with your feet fitted with the readiness that comes from the gospel of peace. In addition to all this, take up the shield of faith, with which you can extinguish all the flaming arrows of the evil one. Take the helmet of salvation and the sword of the Spirit, which is the word of God.
So, the main principle of interpretation of allegories is to read them carefully to find out explanation of each detail. It is also important to notice the context of the allegory: who said this allegory, why and when.
8.14 SYMBOLS
A symbol may represent a thing either past, present or future whereas a type, which I will look at in a moment, represents the future. A symbol then has no reference to time, but it often can be determined by the context. The names of symbols have to be understood literally first: symbols always denote something essentially different from themselves and yet some resemblance must be traceable.
Principles of interpretation of symbols:
There are two elements in a symbol: the mental image it represents and the image that represents it. Numerals, metals and colours may all be symbols depending on the context in which they are found, thus while all of these may have significance within the scope of a study of the Tabernacle or Temple, they probably have no significance if they are found in an undesignated type. For example, the gold used in the Tabernacle represents Deity, but the gold that used as a medium of exchange in a simple historical transaction would probably have no such significance. Symbols are usually explained somewhere in Scripture, so uninterpreted symbols need to be approached with caution and is the same as that for the interpretation of types (below). Special consideration must also be given to the context; cross-references need to be diligently checked; the nature of the symbol must be considered, such as the “Lion” of the Tribe of Judah – there will be similarities and dissimilarities but the intended ideas are found in the similarities. The interpreter must be especially careful of reading meanings from our present modern culture into the symbols. If the symbol is in a prophetic context, then the symbol may indeed be referring to something from that prophetic culture but again, caution must be exercised and doctrine must not be built on the interpretation of symbols with care. The interpreter should also be aware of “Double Imagery,” where a symbol has more than one meaning. Jesus Christ is a “Lion” (Revelation 5:5) and Satan is also “like a lion” (1 Peter 5:8). In addition, one entity may be represented by more than one symbol as is evident in the many symbols that are used to describe Jesus Christ: such as the “Lion” of the Tribe of Judah of Revelation 5:5 and the “Bright Morning Star” of Revelation 22:16. The interpreter should also recognize that there is some symbolism in numbers, but that this is easily abused. Finally the interpreter should also realize that each symbol has only one significant meaning and always has the same fundamental meaning.
8.15 TYPES
A symbol may represent a thing either past, present or future whereas a type represents the future. When the Bible clearly indicates that a certain thing or person is a type, then all the theologians agree that this thing or person should be considered a type. However, when the Bible does not contain these indications, some theologians still try to find types. The fact that the Bible contains types does not mean that everything in the Bible or other sacred literature should be interpreted typologically. If the Bible does not indicate clearly that a certain thing is a type of another thing (antitype), typological interpretation cannot be objective and will depend on the person who interprets the Bible. Leaders of abusive churches and cults often use typological interpretation in order to make the Bible say what they want it to.
The main characteristics of types:
1. There should be some point of similarity or analogy between the type and antitype. However, they may also have many differences: for example, Adam is a type of Christ: “Adam, who is a type of Him who was to come” (Romans 5:14). However, the Scripture speaks more about the differences between them than it does of their similarity (Romans 5:14-19).
2. There should be evidence that the type was set by the Scripture writers to present what it illustrates. A similarity can be considered a type if there is some evidence of proof of that type.
3. A type should illustrate something in the future. Antitypes in the New Testament unveil the truths more fully than types in the Old Testament.
The kinds of types:
1. Persons as types illustrate some important principles or truth of redemption with their life. For example, Adam is a type of Christ (Romans 5:14).
2. Events as types have analogies with some later events. For example, Paul used the condemnation of Israel as a type to warn Christians about unfaithfulness (1 Corinthians 10:1-11).
3. Ordinances as types illustrate later events in the history of salvation. For example, the Sabbath was a type of the believers’ eternal rest (Hebrews 4:1-11)
4. Ministries as types include Moses’ ministry, who being a prophet (Deuteronomy 18:15) is a type of Christ; Melchizedek’s ministry (Hebrews 5:6), which is a type of Christ’s eternal high priest ministry and David’s ministry of a king.
5. Actions as types. For example, Isaiah walked naked and barefooted as an illustration that Assyria would soon take the captives from Egypt and Ethiopia naked and barefooted (Isaiah 20:2-4).
Principles of interpretation of types:
1. Every type is interpreted in the same way in the Old Testament and the New Testament context. A type has only one interpretation and its interpretation is applied in a higher level. A type in the Old Testament has only one meaning that was implied by the author. So, the original meaning is not lost. However, God used types in a higher meaning as symbols of something else. An antitype is a realization of the original meaning of the type in a higher level.
2. When the New Testament gives an interpretation of a type, the interpreter should use only this interpretation. If the New Testament gives two or three analogies between a type and an antitype, the interpreter should not invent more types using every detail as a type.
3. Types should not be based on such weak analogies as colour, number, or shape.
4. A doctrine should only be drawn from a type with care. A type tends to serve only as an illustration of a doctrine.
The differences between types and symbols:
1. A type always implies something in the future. A symbol is not determined by time.
2. A type always something actual – a person, a place, an event, or a commandment. A symbol is invented – a fiction or a fantasy.
3. A type may include several symbols.
4. A type is always concrete. A symbol is abstract.
5. A type always has some similarity with the antitype. A symbol may not have a similarity with the thing it represents.
8.16 SOME PERSONAL EXAMPLES
My own mystical encounters and the resulting Journal that records these experiences make up an allegory. The characters that feature in it are fictional, just as they are in John Bunyan’s Pilgrim’s progress. Yet even within this structure, there are what are called ‘pictures’. One of the characters gives a rule concerning the interpretation of such pictures: I give you a principle that holds true whenever a teacher or interpreter gives you a picture. You must look at the general and obvious parallel for the insights that it gives. As with the Field of Illusions, if you press details too far, you are in danger of falling into a misunderstanding. This matches what was said earlier in the section on parables: Every comparison must halt somewhere. Examples of these pictures are given below:
Example 1: Consider the waves of the sea. The surface of the sea rises and turns over itself, forming droplets and spray as it does so, but they remain as the sea. They do not cease to be water, but remain seamlessly part of the ocean and return back again.
Example 2: “You have come already with a picture in your mind that has caused you to begin this journey, and you must take it to the Field of Illusions, for your journey starts there.”
Across the valley, in the direction that he was pointing, a field of harvested wheat shone in a silvery white glow, causing to stand out from all the surrounding fields. I made my way down to the base of the tower, but unlike my previous journey to the Heartland, there was no White Charger [Horse] waiting. So I walked to the field and on entering it though an open gap in the hedge, I was immediately met by a jolly, smiling fellow, dressed in a brown cassock.
“Welcome to the Field of Illusions!” he said warmly. “Everything here is an illusion, no matter what you see, no matter how real or logical it seems. It is an illusion, for there are many ways that seem right to a man, but the end thereof is death. And you have come with a picture to be explored in the Field, because that is where it belongs.”
“But just a minute,” I urged, “who are you?”.
“I am Michael.” he said in warm laughing tones, and smiled. “I am your Friend and Interpreter here in the Field of Illusions. No harm can come to you here. Everything here is an illusion. Now what is the picture that you bring?”
The picture that I brought, in my mind, was of myself as a small black Terrier with it’s teeth clenched around a rag, pulling it this way and that, though I could not prize it free. Another picture was of me as the same dog, pulling every-which-way against a dog lead, but despite all my efforts, I could not pull free. I explained my pictures to Michael and told him that the Visionary had told me that if I was to see God, I must first prepare myself, and that the first stage of preparation was to bring my picture to the Field of Illusions. We explored the picture together. I felt that the rag was mine by right and I was determined to have it. On inspection, it became clear that the rag was coloured red with white spots, symbolising Atonement and Purity.
Michael said, “The rag is already yours.”
But the back portion of the rag was obscured in darkness that I could not penetrate. I sought as much as I could to see into this darkness, and a Voice said “You do not give that which is Holy unto dogs!”
In a similar way, I could not break free from the lead. Together, we explored what would happen if the lead was cut, and I saw myself as the little Terrier rush off, but with no direction or aim. I revelled in my freedom, but then I turned around and was lost. I could not find my way. The name of the lead was Caution. Then for the first time, I saw a hand, clothed with a white glove, holding the lead. Upon inquiry, I was told that this was the Hand of God, leading and restraining, the glove representing Gentleness and Purity without stain. I saw the uselessness of the struggle. But I began to wonder if any of this was real. Perhaps absolutely everything in the Field was an illusion. Perhaps, Atonement and Purity and even the Hand of God were an illusion. I asked Michael if this was so.
Example 3: “You know so little but you like to go about like some expert that thinks he is superior to others.”. Her voice rose in volume and she laughed contemptuously at me again. “It is like there is a vast plain, a huge expanse of flat land, and there is just a little ant hill on its surface, or some worm has burrowed up out of the ground, the ant or worm think that they are high above everyone else. But right next to them is Mount Everest. Your arrogance is beyond belief!
Compare these with the more allegorical sections of the Journal, like this passage:
This was clearly a bathing pool, for to my left there was a towel rail with a clean towel placed on it. The water seemed fresh and inviting, so I stripped naked and entered the pool. The water was pleasantly warm and I relaxed in the pool. I noticed to the side of the pool was written, “I give you the Water of Life freely”. At the bottom of the pool there seemed to be some more writing, but I could not make out what it said because the water distorted it. I went beneath the surface and found that the pool was much deeper than I thought. Not that this alarmed me in any way, because I found I could stay under water for a very long time. I swam to the bottom, but rather than writing, I found a large ornate gold key. I became aware that in the corner of the pool, there was a treasure chest, so I swam over to it. I was able to open it immediately. As I lifted the lid, air bubbles gushed out about my face. Inside, resting on a brown velvet base was an ornate silver and gold cross, with its head and arms encrusted with rubies. I turned and saw that a treasure chest nestled in each corner of the pool. I opened them all and found a crown, an old, large rusty nail, and a sceptre. In the centre of the pool was a treasure chest that was not there before. On its lid, my name was written and when I opened it, it contained a magnifying glass. I could not carry all these objects, so I took the magnifying glass, since it was on the chest with my name, and the ornate gold key, which I thought might be useful and returned to the surface. Etheria was waiting, smiling and sitting by the pool. The air was warm, and the room full of light. I pulled myself out of the pool, clothed myself in the clean towel and sat by Etheria.
‘What have you found?’ she asked in her gentle voice.
I told her what I had seen and showed her the magnifying glass and key.
‘You have done well’, she said. ‘These may be useful for you. But relax now. There is a drinking fountain here so that you may refresh yourself.’
I drank the Water of Life, and being refreshed, fell into a deep sleep.
Here there are all kinds of symbolism and detail, much more than in the general ‘pictures’.
Whilst considerations of principles of Scripture interpretation are useful, is there anywhere else that we can look in addition? Is there another or additional system of correlation of meanings? We come across this problem in the area of dream interpretation. If I dream about a house by the blue sea, can I refer to a standard principle of interpretation in order to understand any meaning in this image? Is there a method or set of principles that correlate the symbolism and what it points to? Needless to say there are opposing opinions. Those who say ‘Yes’ are of the school that would devise a ‘Dream Dictionary’ – a handbook whereby one could look up ‘house’, ‘sea’ and ‘blue’ and be given the interpretation and correlation of their meaning – ‘house’ means ‘man’, ‘sea’ means ‘birth’ and ‘blue’ means ‘spiritual’ – thus we have the birth of the spiritual man. But of course there is another school of thought that says that such an approach is far too mechanistic and inflexible. If two of us have a dream about a diamond ring, then according to this second approach, the meanings would be different for both of us. What a diamond ring means to me and what it means to you are probably different because each of us brings to that image different associations and a different history and different experiences. One person may associate joy, happiness, belonging, friendship and companionship with a diamond ring whereas the other may have associations of expensive entrapment.
The correct approach is probably between the two – any society and community shares cultural meanings – so there is a shared understanding of symbols, but this is by no means universal and uniform amongst all its individual members. We have also seen that such shared cultural meanings differ and change over time, so that in considering Biblical symbols we need some awareness of the shared cultural meanings of that time and should not impose our own later interpretations. The Star of David may speak of nationality, shared history and shared religion to Jews but it means something completely different to a modern German neo-nazi. So what we have is a loose system of correlation of shared meanings of symbols, but it is a system that has very fuzzy boundaries and considerable differences of interpretation by different individuals within it. In the case of mystical writing, experience and the interpretation of its allegories, metaphors and symbols, this would suggest that the recipients themselves are in many ways the best positioned to make the interpretation and draw out the meaning – this is in a very real sense a personal revelation.
8.17 DEGREES OF KNOWLEDGE
With regard to Scripture, we should also note to whom the passage is addressed in the sense of the depth of their spiritual respect and understanding. Like it or not, whether it is politically correct or not, or fashionable or not, there is, in most religious traditions, a hierarchy. I am not referring primarily here to an external hierarchy of a church or religious organisation: I am not referring to the hierarchy of Pope, Cardinal, Archbishop, Bishops, Elder, Deacon and so on. I am referring instead to the hierarchy of the spiritual adept. In theory of course, the external hierarchy should reflect the inner hierarchy – the most spiritually experienced, insightful, wise and perceptive person should occupy the highest external authority, position or rank. But of course it is not so for many various reasons. For the sake of this discussion then, I am talking about personal spiritual growth and attainment and the use of discrimination in the recognising the degree of this in other people.
8.19 SPIRITUAL DISCRIMINATION
In Christianity, the Bible calls for the practice of such spiritual discrimination. This is not a judging or a condemning of others, (Matthew 7 v 1-6), but rather recognising a person’s disposition towards spirituality in order to speak to them appropriately. Thus, Scripture declares that those people who are not spiritual, or born again, CANNOT RECEIVE SPIRITUAL THINGS, indeed, they are foolishness to them. (I Corinthians 2 v 14). In the same way, there are others who are spiritual babes: unable to receive the meat of deep teaching, requiring rather the milk of the Word, or basic instruction. (I Corinthians 3 v 1-3, Hebrews 5 v 11-14). Then there are others, adepts, who are mature in the faith and are able to take the meat of the Word. Thus, only the person who is led by the Spirit can understand certain doctrines (I Corinthians 2:9-16):
However, as it is written:
“No eye has seen,
no ear has heard,
no mind has conceived
what God has prepared for those who love him”
but God has revealed it to us by his Spirit.
The Spirit searches all things, even the deep things of God. For who among men knows the thoughts of a man except the man’s spirit within him? In the same way no one knows the thoughts of God except the Spirit of God. We have not received the spirit of the world but the Spirit who is from God, that we may understand what God has freely given us. This is what we speak, not in words taught us by human wisdom but in words taught by the Spirit, expressing spiritual truths in spiritual words. The man without the Spirit does not accept the things that come from the Spirit of God, for they are foolishness to him, and he cannot understand them, because they are spiritually discerned. The spiritual man makes judgments about all things, but he himself is not subject to any man’s judgment:
“For who has known the mind of the Lord
that he may instruct him?” But we have the mind of Christ.
There is a blinding ignorance over the hearts of those who wilfully refuse the Spirit.
This means that the spiritually minded person has to appropriately limit what they say to others about spirituality. In this respect, Christ Himself gave His disciples a specific command: ‘Do not give to dogs what is sacred; do not throw your pearls to pigs. If you do, they may trample them under their feet, and then turn and tear you to pieces.’ (Matthew 7 v 6). Now who are these dogs and swine? Scripture suggests that they are those who are insolent or who are not seeking after truth, or who have no desires after God. (Matthew 15 v 26, Mark 7 v 27, Philippians 3 v 2, II Peter 2 v 22, Revelation 22 v 15). There is then a principle of restraint in sharing spiritual matters. There is a limit to what a spiritually minded person says to an unbeliever: to an atheist or agnostic or secular humanist. It is not prudent to talk to them of certain intimate or personal things in the spiritual life. The spiritual-minded person lays themselves open not only to ridicule, but may lead others to blaspheme or misuse holy, sacred and precious things.
Thus in Christianity, when speaking to unbelievers, the climax of the conversation was:- ‘Repent, for the kingdom of God is at hand’, or, ‘Repent, because God is going to judge the world, and this judgement is certain because it will be by the One whom God rose from the dead.’.(Matthew 4 v 17, Matthew 10 v 7, Mark 1 v 15, Mark 6 v 12, Acts 2 v 38-40, Acts 3 v 19, Acts 14 v 15, Acts 17 v 30-31, Acts 26 v 20). The way in which this climax was approached varied according to the kind of people that were been spoken to.
Similarly, it is interesting that Christ never taught the crowds fully. When outside the synagogue which was the meeting place for believers and the spiritually minded – he tended to speak to the non spiritually minded but curious crowds in PARABLES, the INTERPRETATION of which was NEVER GIVEN TO THE CROWDS, BUT TO THE DISCIPLES ONLY. Christ would not give pearls to swines: the explanation of parables was reserved for the spiritual minded. Matthew 13 v 10- 17:
The disciples came to him and asked, “Why do you speak to the people in parables?”
He replied, “The knowledge of the secrets of the kingdom of heaven has been given to you, but not to them. Whoever has will be given more, and he will have an abundance. Whoever does not have, even what he has will be taken from him. This is why I speak to them in parables:
“Though seeing, they do not see;
though hearing, they do not hear or understand. In them
is fulfilled the prophecy of Isaiah:
” ‘You will be ever hearing but never understanding;
you will be ever seeing but never perceiving.
For this people’s heart has become calloused;
they hardly hear with their ears,
and they have closed their eyes.
Otherwise they might see with their eyes,
hear with their ears,
understand with their hearts
and turn, and I would heal them.’
But blessed are your eyes because they see, and your ears because they hear. For I tell you the truth, many prophets and righteous men longed to see what you see but did not see it, and to hear what you hear but did not hear it.
Again in Mark 4 v 10-12:
When he was alone, the Twelve and the others around him asked him about the parables. He told them, “The secret of the kingdom of God has been given to you. But to those on the outside everything is said in parables so that,
” ‘they may be ever seeing but never perceiving,
and ever hearing but never understanding;
otherwise they might turn and be forgiven!’
And again in Mark 4 v 33, 34:
With many similar parables Jesus spoke the word to them, as much as they could understand. He did not say anything to them without using a parable. But when he was alone with his own disciples, he explained everything.
Contrary to modern ideas and practices, in the early New Testament times the onus was for unbelievers to seek out spiritual truths and spiritual minded people, not for believers to seek out and accommodate unbelievers in order to talk to them about spiritual matters or attract them into the meeting place. Jesus did not make it His practice to seek out those who were not interested in religion. At first, his main practice was to go to the synagogues on the Sabbath, where spiritually inclined people met together, in order to teach there. (Luke 4 v 15, 16, 31). It was in the synagogue, not outside, that He did much of his teaching and it was in the synagogue that He had a number of encounters with the Scribes and Pharisees – the orthodox and ultra orthodox believers. As His fame spread, He was followed by so many people that He was forced to preach outside in the open. But this teaching was done in parables, thus the message was now hidden from unbelievers. His teaching outside the synagogue was a RESPONSE to the demands of the multitude, but the message He gave was always limited and/or hidden.
We find that exactly the same is true concerning the practice of the Apostles. Though given the great commission to evangelise by Jesus, we find that they too restricted their message and only spoke to those who were interested. Thus we find that their MAIN PRACTICE was to speak to those who already believed the Old Testament. They spoke to these people on the Sabbath in the synagogues. This was the method by which they spoke to both Jews and Gentiles. (Compare Acts 26v 20, with Acts 5 v 42, Acts 9 v 20, Acts 13 v 5, 14,15, Acts 14 v 1, Acts 17 v 1,2,10,17, Acts 18 v 4,19, Acts 19 v 8.) Though the Apostles usually went to synagogues, they did not limit themselves to synagogues only, but would go wherever believers in the Old Testament gathered for worship. (Acts 16 v 3). As Jews themselves, this was quite a natural thing for them to do, and they had freedom to share applications of the Old Testament, though often of course, the Jews resented their teaching.
When it came to those people who did not attend synagogues, or gather for worship, we find that the Apostles did NOT seek them out. They did not seek to speak to everyone that they encountered and they did not seek such people out in out in order to evangelise them. We do however have some accounts of the Apostles speaking in public: One was on the occasion of a misunderstanding by the crowd, such that the Apostles were forced to defend themselves and their actions. (Acts 14 v 9- 15), and the other was given as a result of Paul being ASKED to preach by the Gentiles. (Acts 17 v 19). Whilst it is true that the Apostles did not as a general practice go from town to town setting up a public platform from which to speak, Paul did in one place speak in the market place to those who happened to be there. (Acts 17 v 17) He did this daily. The reason that he did this was NOT to teach unbelievers, or because of a perceived urgency of the gospel message, or because of his concern at souls being lost, but rather because ‘he was greatly distressed to see the city full of idols’. It does not appear to be the Apostle Paul’s normal practice to speak out in this way, but in this case, he was distressed by a prevalent religious practice. We should note also that the market place was not just a place of trade, but also a place where people gathered to talk and debate.
The effect of this is that different people were dealt with in different ways. Jesus and the Apostles did not deal with everyone in the same way. The sort of person that they were talking to, and their degree of spirituality affected the way in which they presented their message of the need to repent. They practiced spiritual discrimination. Apart from discerning a person’s level of spirituality, the main principle that the Apostles used in spreading the gospel to different types of people was that they became all things to all men, that by all means they might save some. (I Corinthians 9 v 22) Here is the mainspring, the hub of the Apostles method of dealing with different people. Scripture gives us some examples….
When dealing with people who claimed to believe the Old Testament, their approach was to skilfully use the Old Testament to show that Christ was the promised Messiah, showing His ancestry, how He fulfilled prophecy, types, e.t.c. (Acts 2 v 14-38, Acts 3 v 12-26, Acts 7 v 2-53, Acts 3 v 30-38, Acts 13 v 14-41, Acts 17 v 1-3, Acts 23 v 23.). Having shown from Scripture that Christ is the Messiah, they then called for repentance and belief on Him, together with a call for baptism and a warning of future judgement. (Acts 2 v 38, Acts 3 v 26, Acts 13 v 38-41, Acts 20 v 21).
However, when dealing with people who were ignorant of the Old Testament, or not familiar with it, or who did not claim to believe it, they did not use Scripture at all. A prime example of their approach is given in Acts 17 v 16-Ch 18 v 1. (See also Acts 14 v 15-18). For those who believe in the Bible, a spiritually minded person may use the Bible, for those who believe in the Koran, they may use the Koran, for those who do not, they may use the philosophers, thinkers, poets, religious leaders that they do accept in order to communicate a point, or perhaps use providence and creation to support the view being communicated. The Apostles NEVER demanded that people believe the Bible or Torah or any Scripture before they would speak to them. The one thing that was UNIVERSALLY seen to declare God’s existence is creation itself. (Psalm 19 v 1-4, Romans 10 v 18, Romans 1 v 18-23).
Now I have gone into this Christian perspective in a little depth, not to promote the Christian doctrine per se, but to indicate the practice of spiritual discrimination. There are similar stories from many other religions: a student of Sufi Ibn al-Arabi was seen walking with some of Arabi’s works and was asked by some Muslims what he was doing with them because he could not possibly understand them – he needed a Primer – an basic introduction – and in any case, if he could understand Arabi’s works, then he had no need of them. This conveys a similar idea of spiritual discrimination, of restraint in sharing spiritual matters with the disinterested and unenlightened or the novice.
8.20 MYSTICAL AWARENESS AND RATIONAL AWARENESS
It is nevertheless central to some mystical perspectives, especially the non-dualistic ones, that ultimately all is One. There is if you like, a differentiation on the surface or expressive – the various discrete phenomenon that make up the manifest universe – but in Essence, all is Undifferentiated Oneness. Basically this means that everything – every existent – planet, tree, animal, stone, human, atom – is a delimited expression of Essence, a bounding of the Boundless, a theophany. On the surface there is manifold differentiation but underneath, all is Undifferentiated, Ineffable Essence.
Because Absolute Essence is Formless, Unknowable and Ineffable but also, in parallel manifest in all differentiated, contracted delimited form there is the problem of how to describe Essence in order to relate to Essence, (because we exist in relation) and to understand Absolute. The mind cannot encompass Absolute, delimited form cannot embrace Expansive, Formless Essence. Absolute Essence is not a ‘thing’ or ‘object’ to be observed or categorised. Thus, in mystical awareness we approach an intermediate world of ongoing Divine imaging underlying all manifestation. This is a sphere that is full of paradox, the coincidence of opposites and the logically impossible. Here, the impossible, or better, the Unexplainable, the Unknowable and Ineffable is given form. In the same way, meanings are disclosed through sensory forms. These forms arise in the imagination from sense perception, forms that are rich in metaphor and symbolism, where for example, knowledge is seen as a pearl, religions are seen as ships coursing the ocean and the Absolute is seen as Light or as human characters. Thus, in this intermediate sphere:
Ineffable spiritual meanings are given tangible delimited form
Tangible forms become subtle, spiritual meanings
What lies beneath tangible, phenomenological form is forever newly created with profound spiritual meaning. In mystical awareness the existential foundations of all manifest expressions or phenomena reveal aspects of Essence. All existents have this essential Theophanic aspect – it is the extraordinary aspect of the ordinary as opposed to the concept of a separate extraordinary realm. In mystical awareness, spiritual meanings or aspects of Essence are disclosed or revealed in sensory things and sensory things are subtilized or spiritualised.
In response to this, the rational mind either:
Accepts its own impotence in these matters or
Classifies such experiences as hallucinatory or delusional.
8.21 REVELATION AND INTERPRETATION
I spent some time earlier in this study elaborating on the principles of interpretation – on the method of identifying the type of writing that is under consideration and then applying the appropriate method of interpretation which that particular style of writing demands. Yet even as we turn for example to the Bible itself, we find instances where these carefully worked out principles are at least to some degree, strained, even within the confines of its own text. Acts 1 v 20 gives us such an example. Let us first of all look at the verse in context: it is concerned with the disciple Judas Iscariot and the aftermath of his betrayal of Jesus. The disciples are no longer twelve in number because of the death of Judas, so a replacement for him is to be considered. The passage reads:
‘(With the reward he got for his wickedness, Judas bought a field; there he fell headlong, his body burst open and all his intestines spilled out. Everyone in Jerusalem heard about this, so they called that field in their language Akeldama, that is, Field of Blood.)
“For,” said Peter, “it is written in the book of Psalms, ” ‘May his place be deserted; let there be no one to dwell in it,’[Psalm 69:25] and, ” ‘May another take his place of leadership.’ [Psalm 109:8] Therefore it is necessary to choose one of the men who have been with us the whole time the Lord Jesus went in and out among us, beginning from John’s baptism to the time when Jesus was taken up from us. For one of these must become a witness with us of his resurrection.”.’ Acts 1:18-22
Let us take a look now at these verses that are quoted from the Psalms in turn and in context together with some quotes concerning this passage that have been made by Biblical commentators who had a high regard for the Bible as the infallible and inerrant Word of God. I am doing that because these commentators had a high view of the logical consistency and harmony of the Bible as a whole. Psalm 69 reads:
‘You know how I am scorned, disgraced and shamed; all my enemies are before you. Scorn has broken my heart and has left me helpless; I looked for sympathy, but there was none, for comforters, but I found none. They put gall in my food and gave me vinegar for my thirst. May the table set before them become a snare; may it become retribution and a trap. May their eyes be darkened so they cannot see, and their backs be bent forever. Pour out your wrath on them; let your fierce anger overtake them. May their place be deserted; let there be no one to dwell in their tents. For they persecute those you wound and talk about the pain of those you hurt.’ Psalm 69:19-26.
What do the Biblical commentators say of Peter’s interpretation of these words of David?
“This quotation is not made literally from the Hebrew, nor from the Septuagint. The plural is changed to the singular, and there are some other slight variations. The Hebrew is, “Let there be no one dwelling in their tents.” The reference to the tents is omitted in the quotation. The term “habitation,” in the Psalm, means evidently the dwelling-place of the enemies of the writer of the Psalm. It is an image expressive of their overthrow and defeat by a just God: “Let their families be scattered, and the places where they have dwelt be without an inhabitant, as a reward for their crimes.” (Barnes notes on the Bible)
‘…what the psalmist says of the enemies of the Messiah in general, is applied by the apostle to Judas in particular. In the Hebrew text, the words are in the plural number, “let their habitation be desolate, and let none dwell in their tents”; and refer to all the enemies of Christ, the chief priests, elders of the people, Scribes and Pharisees, who covenanted with Judas to give him so much money to betray Christ into their hands; and who delivered him to the Roman governor, by whom, at their instigation, he was crucified; and particularly may well be thought to include Judas, who betrayed him to them; and therefore are very fitly interpreted of him: though not to be understood to the exclusion of the others, whose house was to be left desolate, and was left desolate, as our Lord predicted’ (John Gill’s exposition of the Bible).
‘This Psalm refers to the Messiah. Mention is made but two or three verses before of their giving him gall and vinegar, and therefore the following predictions of the destruction of David’s enemies must be applied to the enemies of Christ, and particularly to Judas. Perhaps he had some habitation of his own at Jerusalem, which, upon this, every body was afraid to live in, and so it became desolate.’ (Matthew Henry’s Commentary)
In the case of the other quotation, Psalm 109, the passage reads:
For the director of music. Of David. A psalm.
‘O God, whom I praise, do not remain silent, for wicked and deceitful men have opened their mouths against me; they have spoken against me with lying tongues. With words of hatred they surround me; they attack me without cause. In return for my friendship they accuse me, but I am a man of prayer. They repay me evil for good, and hatred for my friendship. Appoint an evil man to oppose him; let an accuser stand at his right hand. When he is tried, let him be found guilty, and may his prayers condemn him. May his days be few; may another take his place of leadership. May his children be fatherless and his wife a widow. May his children be wandering beggars; may they be driven from their ruined homes.’ Psalm 109:1-10 (New International Version)
Barnes declares: ‘This class of Psalms is commonly supposed to have expressed David’s feelings in the calamitous times of the persecution by Saul, the rebellion of Absalom, etc. They are all also expressive of the condition of a suffering and persecuted Messiah, and many of them are applied to him in the New Testament. The general principle on which most of them are applicable is, not that David personated or typified the Messiah which is nowhere affirmed, and which can be true in no intelligible sense – but that he was placed in circumstances similar to the Messiah; was encompassed with like enemies; was persecuted in the same manner. They are expressive of high rank, office, dignity, and piety, cast down, waylaid, and encompassed with enemies.’ (Barnes notes on the Bible)
When these Psalms were written, it was not understood by the contemporary readers that these matters referred to Jesus Christ (if indeed they do). The Apostle Paul and other writers understood this fact. Paul said:
‘Surely you have heard about the administration of God’s grace that was given to me for you, that is, the mystery made known to me by revelation, as I have already written briefly. In reading this, then, you will be able to understand my insight into the mystery of Christ, which was not made known to men in other generations as it has now been revealed by the Spirit to God’s holy apostles and prophets. This mystery is that through the gospel the Gentiles are heirs together with Israel, members together of one body, and sharers together in the promise in Christ Jesus.’ (Ephesians 3 v 2-6)
The writer of the first letter of Peter declares:
Concerning this salvation, the prophets, who spoke of the grace that was to come to you, searched intently and with the greatest care, trying to find out the time and circumstances to which the Spirit of Christ in them was pointing when he predicted the sufferings of Christ and the glories that would follow. It was revealed to them that they were not serving themselves but you, when they spoke of the things that have now been told you by those who have preached the gospel to you by the Holy Spirit sent from heaven. Even angels long to look into these things. (1 Peter 1 v 10-13)
8.22 REVELATION AND UNVEILING
There is an important principle of revelation or unveiling here in the interpretation of Scripture. David laments his suffering at the hands of others, but later, the Apostle, I suggest through revelation, applies these words particularly to Judas though it is not obvious from the original text that this is who is intended. Revelation is particularly important with regard to the metaphors used by mystics. Those who are describing their mystical experiences, particularly when that content is metaphorical, have such metaphors given to them – as we have seen in the consideration of mystical and rational awareness, the content of these experiences are received. The person who has had such a spiritual experience did not sit down as it were rationally and logically trying to think up suitable symbols and metaphors. They did not use analysis and reason in order to find suitable metaphorical descriptors. Rather, such metaphors arose in their imagination.
Indeed, when it comes to such allegorical, symbolic and metaphorical passages of Scripture, interpreters often suggest that we can only take a passage to be metaphorical, symbolic, allegorical or a type when the writer of the passage explicitly declares it to be so. This is for a number of reasons, some of which I have already explained:
If all passages and verses are regarded as symbolic or allegorical, we can draw out all kinds of novel and contradictory interpretations – we can make them mean what we want.
There is not a clear set of principles of interpretation – even Scripture itself contains examples of ambiguous principles of interpretation such as the suffering of David being applied to Christ and Judas.
Because of these vagaries, those who believe in the Bible as the Word of God and therefore inerrant rely on the Biblical authors themselves as special authorities because it is they who were given revelation under the inspiration of the Spirit. Furthermore, these commentators argue, such inspiration and revelation has now ceased and the canon or rule of faith is complete and closed in the books that we now have in the Bible.
It is tempting to see this as a cop-out from getting to the root of this difficult matter where the commentator is saying: ‘believe it because God says so in the Word even though I do not understand the principles behind such an interpretation and have no evidence for it’. But if we are not careful here, we throw the baby out with the bathwater as it were. So we need to look at this yet more closely.
8.23 THE SOURCE OF SPIRITUAL METAPHOR AND ANALOGY
What is it in mystical experience that makes me declare statements like:
God is like the ocean and existents are like ocean spray.
The great religions are like fleets of sailing ships coursing the ocean.
Seeking favour with God by obedience is like a man climbing steps – he falls, gets up, and starts to climb them again only to fall again and repeat the process.
Where do such metaphors come from? I want to suggest that the origin of such metaphors is our True Self – that is Essence or Absolute. Such encounters, as we have seen, are received – we do not actively speculate and construct ideas and forms of the Divine or spiritual themes, but rather we allow them to arise and emerge. The locus of this is our True Self with such forms manifest in our mind or imagination, in our emotions and in our inclinations. Thus it is then that we are encouraged to listen to the Still Small Voice often manifest as our Faithful Companion, Wise Guide, guardian Angel and so on. The Still Small Voice is present in everyone: it is the Voice that is niggling and insistent, always asking questions about Existence, Meaning and Ultimate Things. It is the point where the Spirit meets the material, the locus or focal point of personal inspiration and revelation. It is quiet and cannot be seen with physical eyes because the Spirit is Subtle. The Source of these images, Divine representations and teachings then is Essence, but they are expressed to our mind in meaningful, personal, individual ways that fit our temperament, background and circumstances. They are given to us in the degree and capacity to which we can accommodate them. They are personally tailored forms to suit us as particular individuals in a particular place and time. As we study these received encounters, teachings and forms, applying our rational, analytical faculties to them, we, as individuals may then begin to rationally, logically, through analysis, construct a personal web of meaning and orientation with regard to our relationship to the Divine, to construct a personal theology, a personal religious philosophy, which others may or may not find useful and relevant. So there is not only the Divine aspect to the Still Small Voice arising from Essence, but also an individual, personalised quality of mind in the forms presented to, and used and interpreted by the individual. However, such forms of the Divine are closer to Ignorance than to Formless Absolute. This is what is meant when we come across such statements as the following in the writings of Pilgrims: ‘Such ideologies are of human construction and ultimately become just one partial, flawed perspective, often set against other flawed perspectives in violent warfare’.
This reception and sensitivity to the True Self and the presentation of metaphor and symbol tailored to the individual concerned means that ‘God meets us where we are’ and also that the recipient themselves are in many ways the best positioned to make the interpretation and to draw out the meaning of what they have received – this is in a very real sense a personal revelation. When presented for example with the image or symbol or metaphor of a diamond – what this means to the recipient to whom it is given, and what it means to others who are told of or read the encounter, may be quite different interpretations. But the image is given to the recipient, not to others – though they may benefit from it.
8.24 INHERENT OR EMBEDDED MEANING
I am arguing that the Foundation and Ground of all phenomena is Essence or Absolute. I am arguing that the Essence, Foundation and Ground of all material existents is Spiritual. But does this mean, does it follow, as suggested at the start of this essay, that all objects have inherent spiritual meaning? Is there a spiritual meaning underlying and underneath all objects of existence? Are the mystics therefore correct in declaring that every passage, verse, word and letter in sacred writing has an inner, spiritual meaning? In other words, is there a meaning inherent in every object?
I agree with the mystics when they declare that the essential nature of all things is the One Absolute or Essence. I consider that there is the dimension of ‘What lies underneath’ in the sense that all existents are dependent upon Essence and have no real existence of their own. But the spiritual meaning of say, a stone, is not fixed or single faceted. It is not inherent or embedded in the stone itself. The underlying, spiritual, subtle meaning of a stone is forever changing and multifaceted. Its subtle meaning is dependent in part on the relationship, capacity and perspective of the observer. It is true that the delimited properties of an object may suggest a certain utility: a chair may suggest that it is a good object to sit on, but it may also suggest a good weapon in a fight, a good ladder to reach a high shelf and so on. Such suggestions arise from our conceptual framework – in other words, from what we bring to it, as well as the delimited forms of the object. Show a credit card to a native New Yorker and to a native in a hitherto undiscovered tribe in the Amazonian jungle and they would bring to it quite different understandings and values. The properties of some objects may bring fairly universal meanings to mind…most people would not equate a stone with quenching thirst for example. But objects do not have an inherent, fixed, embedded spiritual meaning that is veiled and waiting to be discovered in revelation by the spiritual adept. The words of sacred writing similarly do not have an inherent, fixed, embedded spiritual meaning that is veiled and waiting to be discovered in revelation by the spiritual adept. Rather, in mystical awareness we approach an intermediate world of ongoing Divine imaging underlying all manifestation. This is a sphere that is full of paradox, the coincidence of opposites and the logically impossible. Here, the impossible, or better, the Unexplainable, the Unknowable and Ineffable is given form. What lies beneath tangible, phenomenological form is forever newly created with profound spiritual meaning.
This ever-changing forever newly created meaning which lies underneath every phenomenological object is an aspect of the Divine non-repeatability or Infinity. In manifestation, nothing is repeated but rather reflects Infinite Diversity. The Divine does not manifest in the same form twice and underlying meanings and correspondences are not fixed and static. This is what is known as Theomorphism: that the Divine is forever displaying in new forms, aspects and meanings. The recipients of revelation are all unique – each one comes with their own unique history, context, personality, capacity, degree of knowledge and so on and therefore, each brings their own unique meaning to an object which the Divine uses in revelation in order to meet us where we are. Thus it is that each path to the Divine is unique – that there are as many paths to God as there are Pilgrims – and no-one else will travel along an individual Pilgrim’s path.
So let’s just summarise:
These existents have:
1) Delimited qualities – they have shape or form.
2) Certain properties – they are constituted of certain materials – skin, bone, flesh, metal, wood e.t.c.; some are sentient some are not, some can fly, some can not and so on.
3) These qualities and properties suggest certain utilities or uses.
4) Some of these qualities, properties and uses are more valuable than others.
5) Each existent is unique.
In addition, we as individual sentient existents stand in relation to other existents, be they a stone, a chair, a tree, a galaxy or another human being. Therefore our knowledge is relative. Thus,
1) We each have a relative subjectivity – a ‘true for me’ (a ‘true for them’)
2) We each have relative perspectivism – a ‘true from here’ (a ‘true from there’).
3) We each have a relative capacity – ‘ a true within…..certain bounds, limits, scopes and domains that we have by reason of our delimited expression or existence.’
8.25 RELATIVE MEANING AND THE ABSOLUTE OR ESSENCE
There is then an interaction between all these processes and vantage points which, when configured together, serve to create a certain meaning and value with regard to objects. However, when it comes to Essence or Absolute, then Essence has no form but is Formless, has no properties except those that are Transcendent – Essence is Timeless, Infinite, Stillness and so on. Essence is the Potentiality and Totality of all conceivable uses, utilities and value. We as delimited existents stand in relation to Essence, but Essence-as Essence transcends relationship – Essence IS all that exists. In other words, we as contracted, delimited relative existents stand in absolute relativity with regard to the Absolute. Essence-as-Essence suggests no form or property except Transcendent ones such as Undifferentiated Oneness, Unity and Stillness in the Eternal Now. Essence is Transcendent of utility and value. Essence may present to us in any conceivable form because nothing exists outside of Essence – there is no ‘outside’ of Essence. All that exists, has existed and can potentially exist is a Self-Disclosure of Essence.
Therefore, when we come to an embedded or inherent spiritual meaning in objects, phenomena or existents – then I suggest that there is no such thing. Delimited existents such as fire, water or gold may suggest certain relative or delimited aspects of Essence, as do for example, the Divine Names. But these are not properties or attributes of Essence. The relative view that we have of the delimited properties of water suggest only delimited aspects of Essence which may or may not be useful in giving us relative orientation to a relative delimited aspect of That which cannot be known or encompassed by the mind.
8.26 THE LIMITATIONS OF ORTHODOX HERMENEUTICS
The kinds of issues that I have been considering suggests that a different set of principles are used for interpreting the allegorical writings of others in comparison to the interpretation of our own experiences and the allegorical forms contained within them. We cannot fully know the associations and correspondences in the symbolism and allegory of another writer. The meanings and associations are personal and individual. I have already suggested that each person’s spiritual path is unique and that no-one else will travel along that particular path. The orthodox hermeneutical approaches are fine as far as they go and enable us to some degree to explore the symbolism in the writings of others. But when it comes to our own experiences, the are fuller and richer opportunities for drawing out the correspondences of our own experiences and expressions of symbolism and allegory.
8.27 DIRECTION AND IMPETUS – THE SPIRITUAL JOURNEY
What I have been suggesting is that everything – every phenomenon is a Self-Disclosure of Essence or Absolute and that the Essence or Ground of all phenomena is Essence or Absolute. There is nothing that exists that is not a delimited expression and disclosure of Essence. In effect, returning to Ken Wilber’s diagram, the whole thing, including the paper on which it is written, is an expression of Essence. This may appear to leave us directionless – if everything is Essence then why go on any spiritual journey? What is its destination? Well in this approach there is a direction. Essence delimited or contracted from One Unity into multiplicity and plurality. Apparent division, separateness, differentiation and boundary arose from contraction of the Formless into form. But the direction to Essence is a return to Undifferentiated, Formless Unity. The spiritual direction, conceptually, morally and actively, is towards Unity. That which is divisive, isolating, separating and bounding takes us in a direction that is in opposition to the Ground and Transcendent Essence of all that is. With this principle in mind, we can now consider further approaches to understanding personal allegorical experience.
8.28 TECHNIQUES OF SELF-INTERPRETATION OF PERSONAL IMAGERY
Interpretation then is very much an individual matter since each revelation is personally tailored to the Pilgrim by the Divine to meet them where they are. The principles of interpretation are therefore closer to certain schools of dream interpretation that emphasise the unique personal meaning and content of dreams as opposed to a fixed, mechanistic dream dictionary approach. This approach to interpretation integrates phenomenological, client-centred, emotion-focused, Freudian, Jungian, Gestalt, Adlerian, and Behavioural theories for working with imagery and symbols. If we are working with a friend, a basic principle is that the facilitator is a coach rather than the interpreter of the imagery. In other words, the facilitator helps the person come to his or her own understanding of the imagery, but it is not the central role of the helper to be the one who provides ‘the’ interpretation. The approach has three stages: exploration, insight, and action.
A) Exploration
In the exploration stage, a few of the central images of the imagery content of the experience are explored. So after recalling the imagery, you are encouraged to pick 3-5 images. For each of these images, you are asked to describe the image in greater detail (“Paint the picture for me of what’s going on in this image”), re-experience the feelings in the image (“What were you feeling at his point?” “Where were feeling that in your body?”), associate to the image (“What’s the first thing that comes to your mind when you think of x?” “What memories do you have of X?”), and think about rational/active mode triggers (“What has happened that might have stimulated this image for you?”). We can use the acronym DRAW (description, re-experiencing, association, waking life triggers) to remind helpers about the four steps to use with each image. Exploration should take a while (perhaps even 2-3 sessions), helping you to delve deeply into a few images. If there is a facilitator, then their stance is client-centred with no agenda other than helping you explore the images deeply.
B) Insight
The exploration stage sets the foundation for the insight stage. With all the deep exploration of individual images, we move on to trying to put together all the information into a new understanding of what the imagery as a whole means. Sometimes you may spontaneously figure out the meaning given all the exploration that you have already done. At other times, however, you need more input from facilitators, although this input (e.g., interpretations) should always be done in a very tentative way, always leaving room for the person to make modifications and extensions.
In the insight stage, facilitators can help you think about the imagery in at least three ways.
- · First, the imagery can be understood in terms of the experience itself. Thus, rather than interpreting the imagery “as if” it means something else, one can look at the experience in the imagery session itself. Just as one would analyse a literary text, one can analyse the imagery session. What do you learn about yourself based on what you did in the imagery session?
- · Second you can interpret the imagery in terms of your usual daily life—what does the imagery reflect about what is going on in your current life?
- · Finally, you can interpret the imagery in terms of inner dynamics; more specifically, you can look at how each of the parts of the imagery reflects parts of the self, or you can think about how the imagery reflects spiritual/existential concerns; here you are looking to understand yourself in greater depth.
C) Action
Once you have some greater understanding of the imagery, facilitators can help you think about what you want to do about what you have learned. Again, you may often spontaneously move to the stage by talking about what you want to do differently in your life.
Mystical experience often has many layers of meaning and every object, person, and situation in imagery may have many meanings. So you need to take your time in trying to understand it. Think of your image session as something to EXPLORE. You have to look at it from different angles, walk around in it for a while, work with it – and then its many meanings will begin to reveal themselves. Try not to give into the pressure to “interpret” imagery. If you put yourself or others on the spot to “tell me what it means” then you are taking the wrong attitude toward working with the imagery. It’s not a game of Jeopardy or a multiple-choice test where there’s a right or wrong answer. Working with imagery is more like playing with it – the kind of play that involves creativity, imagination, and a willingness to experiment. It also requires patience!
Here are some approaches to use in the stages of processing outlined above:
Free Association
To unpack the various meanings of an experience, take each object, person, situation, etc. and free associate to them, one at a time. What does it remind you of? What comes to mind when you think of that element of the imagery? Let your imagination go. Let your attention wander. Come up with as many associations as possible. Do this in your head, or talk out loud. If you let yourself go with this, something will come up – a memory, an idea, a feeling. It may not tell you “The Meaning” to the imagery, but it will give you pieces to the puzzle. (You know you are onto something when you experience that AHA! lightbulb-popping experience).
Free Writing
Write down on paper a stream of consciousness reaction to your experience. Start anywhere and just keep writing whatever comes to mind. Don’t censor or edit anything out. It’s like free-associating onto a piece of paper. Record everything you are thinking and feeling. If you get stuck, simply write, “I’m stuck, I’m stuck…” over and over again until a new association comes up. Then keep writing.
Or write down on a piece of paper each element of the content of the experience and then write a stream of consciousness for each one. Compare what your wrote for each element of the imagery. Look for similarities and patterns. Hold onto these writings – and go back to them later on. Days or weeks later you may see something that you missed the first time around.
Mental Images
Another technique is to RELIVE the experience in your imagination. Close your eyes, start at the beginning of the imagery and relive it as vividly as you can. Then replay the imagery again, only this time let your imagination go. Let your imagination add to and change the imagery in any way it wants. It will lead you to important insights. (Any sensations you experience in your body during imagery, or while working with it, may reveal something about its meaning.)
Dialogues
Create a conversation between you and the content of the experience, or between two elements of the imagery. If you experienced meeting a monk a forest, write down on a piece of paper a conversation between you and the monk (or the forest). What would you say to the monk (or forest)? What would the monk (or forest) say back to you? Don’t try to over-control the conversation. Let it be as spontaneous as possible. Stay with the dialogue and let it progress. Or create a conversation between the monk and the forest. What would they say to each other? Another possibility is to carry out this conversation LIVE. Set up two chairs. Sit in one chair and put the monk into the other. Talk to the monk. Then switch chairs and talk back to yourself. Keep switching back and forth. Let the conversation progress. Be spontaneous and honest! Sounds crazy, but THIS WORKS!
Imagery Enactment
If you are in an adventurous mood, get together some friends and re-enact the imagery as if it is a play. Assign roles to people. People can also be objects in the imagery. First replay the imagery as it actually occurred. Then do it again and let people improvise in their roles. Experiment with the play, with you as the “director.” This is a powerful technique.
(All of these techniques work best if you are SPONTANEOUS and FREE-WHEELING. Let your imagination go. Don’t try to force or over-control the process. Be honest. Don’t censor ideas.)
Day Residue
People, things, or events from the previous day that get incorporated into the experience were put there for a reason. They touched off ideas, feelings, and memories in the unconscious. Examining your thoughts and feelings about these events from the day will help you understand the imagery and why it is “commenting” on these events. What do these day residue events remind you of? Have these sorts of things happened before?
Imagery Intangibles
There is a tendency to focus just on objects, events and people in the imagery of the mystical experience. But there is more to the imagery than that. Consider also:
- · FEELING TONE : what is the primary feeling in the experience. What does it remind you of in your life? Does the feeling tone change at different points in the experience? Why?
- · COLOURS : how are colours used in the experience? What feelings and meanings might be associated with them? What do the colours remind you of?
- · TIME AND SPACE : how are time and space used in the experience? What feelings do these create? Is the imagery communicating an idea by how it uses time and space?
- · MISSING AND VAGUE PARTS : what parts of the experience are vague or unclear? Is something missing that should be there? These might be the points where censorship by the ‘ego’ is at its strongest. Focus on these parts. There’s something important going on there. Use free association and the other techniques described above to fill in the gaps. If there is a vague part to the imagery, try to catch whatever details you can. For example, if you can’t remember a person in the imagery, can you remember what they were wearing, the colour of their eyes and the colour of their hair? Who does this remind you of?
Connections Among Image sessions
Look for similar patterns or themes across your mystical experiences. Are your images progressing or changing somehow over time? This might indicate something about YOU that is changing over time. Pay particular attention to recurring elements of imagery since these are important! They point to a persistent theme or issue in your life. They may indicate some “unfinished business” in your life. How are the recurring imagery elements similar to each other? Different? Are they changing over time? What might this say about how you are changing?
Think Unusual
Remember that the unconscious thinking that affects mystical content is unusual and illogical by rational/active standards. Things can mean exactly the opposite of what they seem. Something you FEAR in the imagery may be something you unconsciously wish for. Things may contradict each other, which suggests a conflict in which you have contradictory feelings about something.
Try EXAGGERATING some important aspect of the imagery. In your mind, in writing, or in imagery enactment, amplify the feeling, action, or situation in the imagery. Take it to the limit. Make it as intense as it could be. Where does this take you?
Try REVERSING the important elements in the imagery. Turn them into the opposite feelings, behaviours, or characteristics. Does this ring any bells? Does it change the meaning of the imagery?
The Problem and Its Solution
The experience may be showing you a problem or issue that needs to be resolved. It may be showing you how you are reacting to the problem. It may even be suggesting a solution. For each imagery theme, ask yourself, “What is the problem? How am I reacting to it? Is the imagery suggesting a solution?”
Anxiety and Fear
Anxiety in these experiences usually indicates a point where important, perhaps threatening, ideas are surfacing from the unconscious. The anxiety is a signal. Pay close attention to these anxiety situations. Fear or anxiety causing you to abandon the session indicates the surfacing of particularly powerful material. In these cases, the mind can only think of one way to deal with the situation – ESCAPE!
Where are you?
You may be able to find yourself in various places in mystical experience. The most obvious place is the “image-ego”. This image-ego is the person who is having the experiences that make up the image. Examine this image-ego carefully. Even though you may experience this ‘ego’ as yourself, the person in the image session may be behaving and feeling in very different ways than you normally would. Compare yourself to this person in the imagery. How are you the same? Different? Is this person in the imagery some hidden part of you – some part you wish for, need, or fear?
Other people in the imagery may represent important people in your life – how they actually are, how you wish them to be, how you fear they might be.
Or, other figures in the imagery may represent hidden parts of yourself – the way you wish you could be, the way you used to be, parts you try to deny, your hidden potentials, something that is missing in your personality etc. Some believe that everything in the imagery – every person, object, and event – represents a hidden part of you.
Impasse
At some point in working on such experiences you will get stuck. This is an impasse, a barrier. It means you have to take a different perspective on the imagery. You have to reorganize your thinking. Immerse yourself into that stuckness. Stick with it and eventually you will be able to break through to a new level of understanding. If you’re REALLY stuck and frustrated, you may have to set the imagery aside and come back to it later. Let it percolate in the back of your mind. Look at other experiences if you have had them. They may help you make that breakthrough.
Don’t underestimate how “deep” an image session may be, even if it seems silly or simple. When you think that you are all finished working with an image session, think again. There is probably more there!
A Little Help from Your Friends
It often helps quite a bit to get someone else’s perspective on your imagery. Tell your imagery to a friend or family member, someone who knows you pretty well. With their help, try using some of the techniques described in these pages. Here are some other tips:
GROUP IMAGERY: In the presence of one or several friends (or when working with fellow explorers), close your eyes and describe your experience in the first person and in the present tense. Tell it, from beginning to end, as if it’s a story. With their eyes also closed, everyone quietly listens to your story and tries to imagine it in their mind as you describe it. Afterwards, they describe to you the reactions they had.
“IF THIS WERE MY IMAGERY…” – As a general rule, you can only make guesses about what someone else’s imagery means. And it’s quite easy for you to project your own personal meanings into it. Try using your own personal reactions to help your friend. What if your friend’s experience WAS your experience! What would you think and feel about it? What would you be thinking and feeling if you were the people inside the imagery? Tell your friend about your personal reactions. It might help your friend understand his or her experience.
Your imagery, You
Remember that your imagery was created in your mind. Other people can help you explore it, but that’s all. Listen to their feedback, take what makes sense and leave the rest. Ultimately, YOU are the expert on what your imagery means.
The Image Collage
In a group with fellow explorers, take turns creating an image collage. On a chalkboard or on a large posterboard, jot down words or phrases about your imagery session. Feel free to be creative in how you record these ideas. Pick an interesting spot for each item. Add arrows, boxes, patterns, drawings, doodles, whatever you like. Be as spontaneous as possible. The group can suggest ideas about things to add to the collage. Some items that you can add to the collage might include:
- · the people, places, animals, objects in your imagery
- · the important activities, actions, or events in your imagery
- · the emotions expressed in your imagery
- · quotes from things said in the imagery
- · how you would describe the image ego
- · the names of important people in your life
- · important past or current events in your life
Afterwards, you and the group can step back to take a look at the completed collage. Do any interesting patterns emerge? Is there meaning to how the different items are placed next to, above, below each other? What is written large, small, faintly, boldly? Do there seem to be distinct sections, centres, boundaries in the collage?
8.29 CONCLUSIONS
In summary then we have looked at six areas that are concerned with the interpretation of Scripture and also, by implication, mystical writings:
1) Surface meaning/underlying depth – though mystics often emphasise deeper, hidden meanings beneath the more obvious surface meanings of sacred texts, I have tried to show that the imposition of this on every verse is an outdated approach and that later approaches to the interpretation of Scripture are more differentiated. In this latter approach, allegorical meanings are not forced onto non-allegorical texts. Rather the text is differentiated as falling into categories such as historical, biographical, poetical, parables, prophesies and so on each with their own particular requirements when it comes to understanding them.
2) Spiritual discrimination and adeptness – this seems to be almost universally present in religious/spiritual traditions. Just as we do not expect someone who is just learning the principles of multiplication in mathematics to deal with complex algebra or differential equations, so there is a progress and evolution in spirituality. Those who are disparaging of spirituality or who are novices cannot embrace deeper and more advanced orientations. Rather, there is a progression, development and evolving of the Pilgrim as one insight, understanding and experience builds upon the previous ones.
3) Degree of detail. We have seen that there are differences between styles of scripture writing that determine the degree to which we explore the details of the narrative. In an allegory we take more notice of details and their meanings than we do in a parable for example.
4) Correlation of surface symbol and interpretive meaning. We have seen that there are different theories with regard to how strict and formulaic the correspondences are between a surface symbol and its corresponding deeper meaning and have further suggested that personal history, cultural context, personal knowledge and experience are all variables that generate different meanings for different people from the same symbol. There is a not a fixed meaning inherent in a given object waiting to be unveiled or revealed, even though all existents are, at their Ground and Foundation, Absolute Essence or Spiritual.
5) The Source and Authority for spiritual metaphor in mystical encounter and the authentic, faithful writings of mystics is the True Self which is Essence. Essence unveils or reveals aspects of Itself by means of metaphor and symbol tailored to the capacity and situation of the individual recipient. I have further argued that the recipient themselves are in many ways the best positioned to make the interpretation and draw out the meaning of such personally received metaphors – this is in a very real sense a personal revelation.
6) Hidden or deeper meanings then are not inherent or fixed in an object and revealed or unveiled to some, but are rather dependent in part on the relationship of the pilgrim to it. Deeper meanings are relative to the subject, their perspective and capacity. This means that it is impossible to create a fixed set of interpretive principles other than the most general principles and that it is impossible to create a dictionary or encyclopaedia of correspondences between metaphorical/allegorical objects and their deeper/hidden meanings.
7) Orthodox principles of hermeneutics are limited in scope and depth and best suited to the writings of others. When it comes to interpreting the meaning of one’s own experiences, the possibility of using other approaches arises.
8) The interpretation of personal metaphors is best drawn out using an integrated approach drawing on such modern disciplines as phenomenological, client-centred, emotion-focused, Freudian, Jungian, Gestalt, Adlerian, and Behavioural theories for working with imagery and symbols. If we are working with a friend, a basic principle is that the facilitator is a coach rather than the interpreter of the imagery. In other words, the facilitator helps the person come to his or her own understanding of the imagery, but it is not the central role of the helper to be the one who provides ‘the’ interpretation.
8.30 ICONOCLASM AND THEOMORPHISM
The Mystic focuses on allegory as a means to describe Transcendent Indescribable Essence that is in all things. They use allegories and metaphors as stepping-stones and intermediaries to understanding the Divine, to making the Incomprehensible comprehensible. They know that Absolute cannot be contained or circumscribed by such allegories, that Infinite cannot be contained by the finite. Infinite Essence is capable of being described in an infinite number of forms and that the forms used are those which are most apt and relevant to the person to which they are given. Moreover, such persons exist at different times, in different places and contexts. Therefore the Divine changes form constantly and fluidly such that no form is fixed and static. This, as we have seen, is the doctrine of Theomorphism: the idea that God is constantly being revealed in different forms. Indeed, the infinite quality of the Divine demands that this is so. Yet at the same time Mystics know that such forms have three inherent dangers:
- · As forms they mask and veil what they claim to reveal.
- · Such forms may be reified and literalised. Reification is the turning an abstract concept or emergent quality into a concrete object. For example turning manifestations of God into an external God or Deity, which is then seen as being capable of acting on the subject.
- · Such forms have a tendency to become fixed, static and venerated and to enter a form of religious tradition.
As a result mystics may choose not to be tied down by any form, even a form that has been revealed to them. As Tertullian noted, ‘no unity, only diversity….most of them [mystics] disagree with one another, since they are willing to say – and even sincerely – of certain points, ‘This is not so.’ and ‘I take this to mean something different’ and ‘I do not accept that’.’ For orthodoxy, unity consists of establishing and fixing one right set of forms, one belief and one doctrine. For mystics, unity exists in transcending particular forms and thus they are heterodox. More than this, mystics may be iconoclasts – they may seek to break the various forms of the Divine that become established in their minds – to allow the expression of new forms of the Divine and to prevent identification with forms.
8.31 RELATIVE FORMS, PARADIGMS AND WORLD RELIGIONS
Descriptions of external events then are internalised and spiritualised by mystics, the literal interpretation is of less importance. Elaine Pagels in her book on the Gnostic Gospels points out that when some of the Christian Gnostics were presented with the idea that Jesus had literally been physically raised from the dead and ascended to heaven they scoffed and thought that the idea was ludicrous, even though they would still use these ideas as metaphors and allegories for Realization. Neither do mystics necessarily stay with one religion: early Christian Gnostics took on board Greek pagan Platonic ideas for example and some elaborated multiple deities besides the Creator/Father in their creation stories. Some of them started with Christianity but moved on to forms that left these original Christian forms behind. Some today may use modern paradigms such as quantum physics. Yet others may be presented with quite original and novel expressions of the Divine which do not knowingly draw from any particular religious, scientific or philosophical tradition.
8.32 SACRED LITERATURE
Since God is expressed in all forms, any form may be used or may open up a pathway to the Divine, because all form is absolutely relative to Absolute. Thus, meditating on a candle flame, watching a sunset, gazing at a mountain, reading Scripture or following a religious discipline of whatever tradition may open up a path to the Divine. The intuitive/receptive mode may be entered into during any of these moments. Many mystics however refer to some sacred literature and tradition, be it Buddhist, Islamic, Jewish, Christian, Pagan, New Age, Hindu or whatever. It is argued by some that sacred literature is particularly useful because it contains accounts of the Divine communicating to Prophets/Seers/Mystics/Gnostics, the Divine Word itself and therefore it is more immediate and direct in opening up a path. As we have seen, the particular form does not matter: so different religions can be seen as so many different enclosures, so many different schools, so many different paths, so many different facets to and of the Divine, each of which provides it’s own map, its own sense of orientation and its own set of methods of approach. As with different schools and traditions of religion, so with disciplines like Transpersonal Psychology: Ken Wilber’s diagram is another such map, which in some ways we have begun to transcend and leave behind in the latter chapters of this study. No such map or scheme can encompass Essence or Absolute.
8.33 DELUDED, MENTALLY ‘ILL’ OR WHAT?
Of course it may well be that I am deluded by my mystical experiences and that I am rationalising them after the fact into an unfalsifiable hypothesis and world view. Neither side can prove this one way or the other. What I do know is that these experiences have given me depth, meaning and orientation. They have made me feel elevated and euphoric. I have never felt so clear headed and perceptive as when I had them. The have given me a base and foundation once I have got to grips with some of the dangers, errors and traps that the mystic can fall into. Sometimes they have been unsettling and caused a sense of flatness and emptiness at the loss of the experience. They have altered my prioroties and made me less materialistic generally and during and near to the experiences, much more altruistic and selfless for example. I believe that though closely related to psychosis and some symtoms of bipolar disorder, they are nevertheless distinct from them and for me, as a bipolar sufferer, thay have had a rich, stabilising effect. Whether it is true or not, I believe in the Divine as diffuse literal Spirit/Energy expressed in all that is. It makes me feel orientated, healthy and gives me a sense of purpose. Of course, like everyone else, I, for want of a better phrase, worship my own beliefs, because the Divine is Transcendent of the forms, boundaries and limits of my concepts. I have been able to elucidate principles of interpreting the allegorical and symbolic content of mystical experiences and to draw out a metaphysics, a mystical based philosophy, a theology that I think is internally consistent and coherent, one that is quite different from the trains of thought expressed in the letter by the schizophrenic quoted in chapter one. Such euphoria that arises from these experiences is based upon the perception gained and not a mere ambient mood change as in bi-polar instances where today I am depressed for no apparent outward reason and next week I want to spend all my savings and marry a new female aquaintance in Dubai.
I have found the following to be true of mystical experiences:
- · No evidence of thought disorder or disorganised thinking. Though entering a receptive/intuitive mode, they are able to return to the active/rational mode of being.
- · There is an integration or synthesis of the rational/active and intuitive/receptive modes.
- · The intuitive/receptive mode is entered into as a mature adult who then returns to the rational/active mode.
- · The experience is trans-rational and paradoxical.
- · The person is able to continue functioning in daily life after the experience.
- · Visual hallucinations are more common than auditory hallucinations.
- · Episodes are generally brief.
- · There is no impairment to social relationships.
- · They respond empathically to the needs and concerns of others.
- · There is often no family history of mental ‘health’ problems.
- · There is often no history of mental ‘health’ problems within the individual.
- · The event often has a positive outcome, resulting in improvement in the person’s functioning and their growth. It has a healthy effect.
- · 0.1% of people experience this.
- · They have a supportive social network
- · They undergo voluntary, structured detachment from and dissolution of ‘ego’.
- · The conceptual system that is constructed has internal consistency.
- · They are not anti-rational.
- · Their conceptual system is a general philosophy: it has an expansive explanation, yet retains a certain simplicity and elegance in its philosophy.
- · Their conceptual system sits alongside mechanistic claims and explanations, such as evolution.
- · Their conceptual system may be tolerant of multiple perspectives, even of contradiction and paradox.
- · Their conceptual system has balance, proportion, symmetry, simplicity and elegance.
I have the following indications common both mysticism and psychosis:
- · Both can enter the intuitive/receptive mode
- · The experience appears unmediated or Immediate and Real
- · There are biological effects in the brain
- · The content is non-rational and cannot be construed or remains unconstrued
- · The experience involves a unified perception and loss of boundaries
- · The experience involves a deeper quest for meaning.
- · The experience may give rise to a loss or orientation of the self momentarily
- · They may feel marginalized by modern western secular society and fear being marginalized by health professionals
- · The experience leads to a heightened sense of perception and insight
In terms of mysticism and bipolar disorder:
- · Both may lead to euphoria, ecstasy, elation and joy, but mystical content is always spiritual, whereas bipolar is not
- · Both may lead to preoccupation and withdrawal, even depression.
But, in bipolar disorder:
- · The euphoria, ecstasy, elation, expansiveness and joy may be disproportionate or have no apparent ground in external or internal events.
In Mysticism as opposed to bipolar disorder:
- · The euphoria, ecstasy, elation, expansiveness and joy arises from a clear perception of the transcendent content of the experience.
The following list gives indications of schizophrenia, (as opposed to mysticism):
- · The person’s thoughts are not easily understandable ie. what they say doesn’t make sense. They are irrational.
- · The person has difficulty functioning, or is unable to function, in everyday life: they are stuck in a ‘intuitive/receptive’ mode of functioning that does not deal with practical issues.
- · They lose touch with material reality and are stuck in a world of fantasy or delusion.
- · Auditory hallucinations are more common than visual hallucinations.
- · Episodes are generally prolonged.
- · Social relationships are impaired due to the person withdrawing socially.
- · They may respond inappropriately to the needs and concerns of others.
- · There may be a history of mental ‘health’ problems in the individual or the family.
- · The person has usually exhibited mental ‘health’ problems previously.
- · The event often has a negative outcome: hallucinations and delusions are considered a disruption to the normal functioning of the person’s consciousness.
- · The tendency is one of regression and pathology
- · They may feel alone and isolated
- · 1% of people suffer this disorder
- · Involuntary fragmentation of the ego
- · The conceptual system has internal inconsistency.
- · The person or their view is anti-rational.
- · The conceptual system does not provide a general philosophy.
- · The conceptual system contradicts or opposes mechanistic claims and explanations such as the theory of evolution.
- · The conceptual system is intolerant.
- · The conceptual system is imbalanced, disproportionate and to some degree incoherent.
I think that through the course of these chapters, we have begun at least to differentiate a little between ‘madness’, ‘mental illness’, ‘mania’ and ‘manic depression’ or ‘bipolar disorder’ on the one hand, and ‘mystical’, ‘gnostic’, ‘transcendent’, ‘immediate spiritual’ experience on the other. Though there are differences there are also similarities, and we have also been obliged to question some basic concepts such as ‘reality’, challenging common conventional views.
I hope that this serves as some help and encouragement to those who have experienced such mystical encounters.
————————————————————-
Further reading:
Chittick, William (1983) ‘The sufi path of love – the spiritual teachings of Rumi’ SUNY Press.
Chittick, William (1998) ‘The self-disclosure of God – principles of Ibn al_Arabi’s cosmology’ SUNY Press.
Chittick, William, (2000) ‘The sufi path of knowledge – Ibn al Arabi’s metaphysics of imagination’ Suhail Academy
Chittick, William (1994) ‘Imaginal worlds – Ibn al-Arabi and the problem of religious diversity’ SUNY Press.
Deikman, Arthur J. (1992) ‘The Observing Self: Mysticism and psychotherapy’. Beacon Press
Deutsch, Eliot. (1986) ‘Advaita Vedanta: A philosophical reconstruction’. University of Hawai’i Press.
Eckhart, Meister (1994) ‘Selected writings’ Penguin. London
Edwards, J. (1974) ‘The complete works of Jonathan Edwards’ Vols 1 & 2 Banner of Truth Edinburgh.
Foreman, Robert (1991) ‘Meister Eckhart: The mystic as theologian’. Element books
Godman, David (Ed.) (1985) ‘Be as you are – the teachings of Sri Rama Maharshi’ Penguin Arkana. England
Huxley, Aldous (1946) ‘The perennial philosophy’ Chatto & Windus London
Jaynes, Julian, (2000) ‘The origin of consciousness in the breakdown of the bicameral mind.’ Houghton Mifflin
Middlemiss, David, ‘Interpreting charismatic experience’ (SCM Press)
Mundschenk, P. (1995) ‘Aurobindo’ in ‘Great thinkers of the eastern world’ Ian P.
McGreal. (Ed) Harper Collins New York
Samkara on the Absolute, Creation, the Soul, Discipleship, The path of Enlightenment,(separate volumes) (1989) Alston, A.J. Shanti Sadan
Shah-Kazemi, Reza (2006) ‘Paths of transcendence according to Shankara, Ibn Arabi and Meister Eckhart’ World Wisdom.
Shafranske, E. (Ed) (1996) ‘Religion and the clinical practice of psychology’, American Psychological Association, Washington D.C.
Smith, Cyprian (1987) ‘Spiritual life as taught by Meister Eckhart – the way of paradox’ Darton, Longman and Todd. London.
Maharaj, Sri Nisargadatta (1973) ‘I am That’ Chetana Bombay.
Waite, Dennis ((2003) ‘The book of One – The spiritual path of Advaita’ O books. Ropeley
Watts, Alan (1989) ‘The book on the taboo against knowing who you are’ Vintage books New York U.S.A.
Wilber, Ken. (1996) ‘The Atman project – the transpersonal view of human development’ Quest books U.S.A. This book includes a chapter on mysticism and schizophrenia. (Chapter 17)
Wilber, Ken. (1996) ‘A brief history of everything’ Gill and Macmillan. Dublin
Wilber, Ken. (1996) ‘Eye to eye – the quest for a new paradigm’ Shambhala Boston and London
Wilber, Ken. (2000) ‘The theory of everything – An integral vision for business, politics science and spirituality’ Shambhala Boston U.S.A.
Wilber, Ken. (1997) ‘The eye of spirit – An integral vision for a world gone slightly mad’ Shambhala Boston and London
REFERENCES
Armstrong, K (1983) ‘The first Christian. St. Paul’s impact on Christianity’. Pan London.
Bannister, D. & Fransella, F. (1971) Inquiring Man. Harmondsworth Penguin
Chadwick, Paul, Birchwood, M. & Trower, P. (1996) Cognitive Therapy for Delusions, Voices and Paranoia. Chichester: Wiley.
Chadwick, P.K. (1992) Borderline. A Study of Paranoia and Delusional Thinking. Routledge: London.
Chadwick, P.K. (1997) Schizophrenia: the positive perspective – in search of dignity for schizophrenic people. Routledge: London.
Jackson, M (1997) A Study of the Relationship between Psychosis and Spiritual Experience. Unpublished Thesis. Oxford University: Oxford.
Kingdon, D. & Turkington, D. (1994) Cognitive Behavioural Therapy of Schizophrenia. Lawrence Erlbaum Associates, Hove UK.
Mills, N. (1997) “Being centred” and being scattered: a kiaesthetic strategy for people who experience psychotic symptoms. Clinical Psychology Forum. 103, 27-31.
Teasdale, J.D. & Barnard, P.J. (1993) Affect, Cognition and Change. Lawrence Erlbaum Associates, Hove UK.
Warner, Richard. (1985) Recovery from Schizophrenia. Routledge: London.
Wapnick, Kenneth. (1980) ‘Mysticism and Schizophrenia.’ Understanding Mysticism. Image Books: Garden City,.













